Behind the Praise - Sunday August 2, 2009

Blended 9:30 am

“Guide Me O, Thou Great Jehovah”

This hymn is also called “Guide Me O, Thou Great Redeemer”. Encouraged by the Welsh Calvinist Methodists to update their hymnal, William Williams, the "Sweet Singer of Wales" produced about 800 hymns, "Guide Me, O Thou Great Jehovah" being the first in 1745.
This very personal hymn seeks the same care that God gave the Israelites in the wilderness: "Bread of heaven", the manna in the wilderness, "Open now the crystal fountain", water from the rock, "Let the fire and cloudy pillar", the pillar God used to guide them and protect them in the wilderness.
"Guide Me, O Thou Great Jehovah" has been translated into seventy-five languages. It is so loved in Wales that it is considered an unofficial national anthem
Many are the stories of this beautiful anthem giving people strength in time of adversity. Three women missionaries in China, with bandits outside their door, sang this as though nothing was wrong, receiving comfort and courage from their "Strong Deliverer". Imprisoned with only dry, hard bread and tea, they sang it as Paul and Silas, their spirits undaunted, fed by the "Bread of heaven." In the trenches of Flanders during World War I, it was sung so melodiously by the Welch soldiers that the German soldiers also took it up. Miners sang it on their way to the mines. It could be spontaneously sung at Welsh sporting events, and was sung at Princess Diana’s funeral at Westminster Abbey, London, on September 6, 1997.


Click here to listen to a tower bell arrangement:
www.youtube.com/watch?v=Ejdz1yAtDq0

Click here to listen to the great Mahalia Jackson sing the hymn:
www.youtube.com/watch?v=pe6C92qJGMQ&feature=related

Click here to listen to a choir arrangement of the hymn:
www.youtube.com/watch?v=oei9Hcp5W9U

Click here to read through the words:
www.oremus.org/hymnal/g/g401.html

“O God Our Help in Ages Past”

Isaac Watts wrote "Our God, Our Help in Ages Past" as a paraphrase of Psalm 90. His desire to write the hymn was born, in part, out of his dissatisfaction with the church music of his day. At 20 years of age, he complained that the metrical psalms they had to sing at Above Bar Chapel in Southampton were grim and ponderous. But to sing anything other than the actual words of Scripture was said to insult to God.


Isaac Watts wrote "Our God, Our Help in Ages Past" as a paraphrase of Psalm 90. His desire to write the hymn was born, in part, out of his dissatisfaction with the church music of his day. At 20 years of age, he complained that the metrical psalms they had to sing at Above Bar Chapel in Southampton were grim and ponderous. But to sing anything other than the actual words of Scripture was said to insult to God.
Watts’ father heard Isaac’s complaining and challenged him to "write something better for us to sing." In 1719, he published an important hymnal titled The Psalms of David in the Language of the New Testament. In it he paraphrased the entire Psalter with the exception of twelve Psalms he felt were unsuited for usage.
At this time in England, religious freedom was severely limited and Watts’ father was jailed twice for his religious views. Isaac himself was considered a radical churchman, since he wrote many "hymns of human composure” songs that did not directly quote Bible passages.
In such uncertain times, Watts looked to Psalm 90 for comfort and wrote more than a paraphrase of its heartening words. His hymn actually gave a grand commentary on the subject of time and how God stands above human time.
Originally, "Our God, Our Help in Ages Past" contained nine verses. Today most hymnals use only verses 1, 2, 3, 5, and 9. In 1738, John Wesley changed the first line from "Our God" to "O God." Some feel that the change makes it easier to sing and also calls the vocative case which causes the singer to expect the "Thy" of the second stanza.
O God, our help in ages past,Our hope for years to come,
Our shelter from the stormy blast,And our eternal home!
Under the shadow of Thy throneStill may we dwell secure;
Sufficient is Thine arm alone,And our defense is sure.

Before the hills in order stood,Or earth received her frame,
From everlasting Thou art God,To endless years the same.
A thousand ages in Thy sight,Are like an evening gone;
Short as the watch that ends the night, Before the rising sun.

Time, like an ever rolling stream,Bears all its sons away;
They fly forgotten, as a dreamDies at the op'ning day.
O God, our help in ages past,Our hope for years to come,
Be Thou our guide while life shall last,And our eternal home.

Click here to sing along with Westminster Abbey church:
www.youtube.com/watch?v=asrwlIxLeko

Click here for an organ arrangement:
www.youtube.com/watch?v=wo-byfEpXu8

"How Great is Our God"

This worship song was written by Chris Tomlin. Chris said he almost apologized to the Lord for writing such a simple song, but felt that the English language could only go so far in describing the greatness of our God. After writing the song he felt in his spirit that he had written a song that would be embraced by the church around the world.
Chris received his first guitar from his father, Connie, at the age of eleven after contracting a case of mono. Then, Tomlin wrote his first worship song at age fourteen. He entered college planning to study medicine, but he stated that he felt God's calling to something else and did not pursue that career.In the mid-1990's Tomlin spent time leading worship at the Dawson McAllister Youth Conferences, as well as at various camps around the state of Texas.Following college, at Texas A&M University Tomlin continued to play and write songs, and in 1997, Louie Giglio asked if he would be interested in working with the Passion Conferences. Tomlin agreed, and he has played a key role ever since. His first nationally released solo project, entitled The Noise We Make, was released in 2001, which saw the emergence of songs "Forever" (his most famous song other than "How Great Is Our God"), "Be Glorified", and "Kindness", all of which made the top 200 in the CCLI 2005 top 500 worship songs.
According to Christian Copyright Licensing International's list of the top 25 worship songs in the United States as of August 2007, Tomlin held 5 spots with songs he has either written or co-written with other songwriters: "How Great Is Our God" (#1), "Forever" (#5), "Holy Is the Lord" (#7), "We Fall Down" (#12),and "Indescribable" (#22).


Click here to listen to the story behind the song:
www.theheartofworship.org/stories/Story-302-HowGreatisOurGod-Tomlin.mp3

Click here to listen to Chris share about how the song came about on newsong café: www.youtube.com/watch?v=JpfKli_4LQ0&mode=related&search=

Click here to worship along with Chris:
www.youtube.com/watch?v=jjxPG_mRHDs&feature=related

Click here to learn more about Chris’ ministry:
http://en.wikipedia.org/wiki/Chris_Tomlin#Biography

Click here to visit Chris’ website:
http://www.christomlin.com/

Click here to visit Chris’ myspace:
www.myspace.com/christomlin

CONTEMPORARY 11:00AM

“All to You”

This worship song was written by Lincoln Brewster. Brewster has been musically inclined since his early childhood in Homer, Alaska. At the age of one, his mother, Cheryl, noticed how well he could keep rhythm on a drum set his grandfather had given him. At the age of five, his mother introduced him to the mandolin. Quickly mastering the instrument, he began playing for cruise ship tourists alongside his mother in Homer, Alaska.
By the age of 12, Brewster had a band called Lincoln and the Missing Links, which included his mother on bass and vocals. In his late teens, he moved with his family to California where he joined the high school jazz band (playing guitar and drums) and marching band (playing snare drum).
Due to connections gained in Los Angeles, he had recording contract offers by 19. Feeling emptiness in his life, Brewster attended church services with his high school sweetheart and Christian, Laura. He recalls feeling God drawing him close after attending a drama ministry performance with Laura.
"I was afraid to lay down a lot of things in my life," Lincoln said. "One night, I laid all my cards on the table. I asked the Lord to come into my life, all by myself. It was the best night of sleep I'd ever had. I was very peaceful.

Click here to listen to the song online: http://play.rhapsody.com/lincolnbrewster/letthepraisesringthebestoflincolnbrewster/alltoyou?didAutoplayBounce=true

Click here to read more about Lincoln:
http://en.wikipedia.org/wiki/Lincoln_Brewster

Click here to play Lincolns’ songs on his myspace – the songs are available on his standalone player, you can also listen to “Everlasting” and “Let the Praises Ring”
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=83285546

Click here to listen to Lincoln share about his journey and how a 70 year-old woman encouraged him during a time of worship;
www.youtube.com/watch?v=oJPh1asdTsw

"Blessed Assurance"

The story behind the writing of "Blessed assurance" is simple, yet interesting. One day Miss Crosby was in the home of her friend Mrs. Joseph F. Knapp. In the Knapp home was installed what was believed to be the largest pipe organ ever placed in a private dwelling. However, on this particular day Mrs. Knapp called her guest over to the piano to listen to a new melody she had just composed. After playing the tune a few times she asked, 'What do you think the tune says?' "Blessed assurance Jesus is mine", answered Fanny Crosby, and then, drawing from her vast storehouse of Scripture knowledge, continued with “Oh what a foretaste of glory divine Heir of salvation, purchase of God Born of His Spirit, washed in His blood. In a very short time a new sacred song was born with words by Fanny Crosby and music by Mrs. J. F. Knapp. Although written as far back as 1873 Blessed Assurance still remains a firm favorite with Christians everywhere.


Click here to read more about Fanny Crosby
www.sermonaudio.com/hymn_details.asp?PID=blessedassurance#history

Click here for an arrangement by the Isaacs:
www.youtube.com/watch?v=xE7AGB5nXTs&feature=related

Click here to worship along with Randy Travis:
www.youtube.com/watch?v=fon84ecsAbI&feature=related

“To the Ends of the Earth”

Marty Sampson (b. May 31, 1979) is a Christian songwriter and a worship leader at the Hillsong Church in Sydney, Australia. Originally featuring in the Youth Alive albums of the late 1990s, he was one of original Hillsong United worship leaders and has led worship on every United album to date. He plays guitar and occasionally piano. He was married in November of 2006 to Michelle. Sampson was a former worship leader for Hillsong United together with Joel Houston (son of pastor Brian Houston). His last album with United in the 2007 United album All of the Above, could be his last album with Houston and the Hillsong United team. Since his marriage with Michelle, Sampson has moved from Hillsong United to the Hillsong band and helps lead worship with Darlene Zschech and the rest of the team. He is now one of the main worship leaders in Hillsong Church along with Zschech and Reuben Morgan. Sampson recently released a solo album entitled "Let Love Rule Love unfailing Overtaking my heart
You take me in Finding peace again
Fear is lost in all You are And I would give the world to tell Your story
Cause I know that You've called me I know that You've called me
I've lost myself for good within Your promise I won't hide it I won't hide it

Click here to visit Marty Sampsons’ myspace:
www.myspace.com/martysampsonmusic

Click here to learn more about Martys’ ministry:
http://martysampson.net/

Click here to worship along:
www.youtube.com/watch?v=K0G5azgrTUo

Behind the Praise - Sunday July 26, 2009

BLENDED 9:30AM

"I have Decided to Follow Jesus"

This folk song originated among the Garo Indians, one of the hill tribes in India. The Garo tribe lives in an area that is now the state of Meghalaya, but was until 1970 the state of Assam. The northern part of Meghalaya borders on the Himalayan Mountain range. The earliest appearance of the hymn in the United States seems to have been in Choice Light and Life, a 1950 publication of the Free Methodist Church (Winona Lake, Ind.), compiled by LeRoy M. Lowell. Other publications have followed. The tune was named ASSAM in Christian Praise (Nashville, 1964), for the province of India where the Garos lived. We include this hymn to help individuals in making their decision "to follow Jesus" with "no turning back."

Click here to listen to the song:
www.youtube.com/watch?v=55eESzdyPoY

Click here for another version of the song:
www.youtube.com/watch?v=Tv6gOET62ws

“Here I Am to Worship”

If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered. "I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!" Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition. "I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'" Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own. It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."

Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Q_kAjok4-Uk

Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/

“Be Glorified”

This worship song was written by Chris Tomlin and Louie Giglio in 1999. Chris received his first guitar from his father, Connie, at the age of eleven after contracting a case of mono. Then, Tomlin wrote his first worship song at age fourteen. He entered college planning to study medicine, but he stated that he felt God's calling to something else and did not pursue that career.In the mid-1990's Tomlin spent time leading worship at the Dawson McAllister Youth Conferences, as well as at various camps around the state of Texas.Following college, at Texas A&M University Tomlin continued to play and write songs, and in 1997, Louie Giglio asked if he would be interested in working with the Passion Conferences. Tomlin agreed, and he has played a key role ever since. His first nationally released solo project, entitled The Noise We Make, was released in 2001, which saw the emergence of songs "Forever" (his most famous song other than "How Great Is Our God"), "Be Glorified", and "Kindness", all of which made the top 200 in the CCLI 2005 top 500 worship songs.
According to Christian Copyright Licensing International's list of the top 25 worship songs in the United States as of August 2007, Tomlin held 5 spots with songs he has either written or co-written with other songwriters: "How Great Is Our God" (#1), "Forever" (#5), "Holy Is the Lord" (#7), "We Fall Down" (#12),and "Indescribable" (#22).On why his album which includes this song was entitled “Arriving”, Chris said.
“I feel as though we’re like this landing strip in the desert for our great, incredible God to arrive on; a way for Him to come into people’s lives,” Tomlin says of the album’s metaphorical moniker inspired in part by Isaiah 40.

Click here to learn more about Chris’ ministry:
http://en.wikipedia.org/wiki/Chris_Tomlin#Biography

Click here to visit Chris’ website:
www.christomlin.com

Click here to visit Chris’ myspace:
www.myspace.com/christomlin

Click here to worship along with the song:
www.youtube.com/watch?v=H3SM73aB5Sc

“How Great Thou Art”

The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.

How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.

Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=

CONTEMPORARY 11:00AM

"One Way"

This song was written by Joel Houston and Jonathan Douglass. Houston is a musician and songwriter, best known as the key worship leader and producer of Sydney based worship band Hillsong United, the worship band of Hillsong Church's youth group, also known as Hillsong United. In 2008 he became the Creative Director at Hillsong Church.

Houston began playing piano at a young age, at the suggestion of his parents. As he was not interested in piano, he soon diverted his efforts to playing guitar instead.

Jonathan Douglass' first experience of what he describes as God's tangible presence was at a Christian youth camp. At 12, he was actually too young to attend the camp but tagged along with his older brother and sister anyway . One night while the band was playing, he felt something he is almost unable to put into words, I just remember lifting my hands, not really knowing what I was doing and singing these words that had a meaning I didn't really understand. I developed a longing for God's presence without knowing much about it.

The most powerful songs come from a personal relationship with God and are filled with meaningful scripture, JD says. Three years ago, JD wrote One Way, a song inspired by a personal search, I questioned what I was doing and why I was doing it. He was still going to church, reading the Bible and praying but he felt like he had lost the reason for it all. I sat down one night after hanging out with God and the verses just came out back to back within a couple of minutes, he says, Things about God, how He's always there, how He never changes and how I'll never live for anyone but Him.

Click here to learn more about Jonathon Douglass:
www.jonathondouglass.com/

Click here to worship along with the Hillsong worship team:
www.youtube.com/watch?v=IPuUIUWE8h8

Click here to listen online:
www.last.fm/music/Hillsong+United/_/One+Way

"Matchless"

Shust grew up near Pittsburgh, Pennsylvania. He studied music theory at Toccoa Falls College in Georgia, where he studied Wolfgang Amadeus Mozart and Johann Sebastian Bach. He also became influenced by U2 and Bob Marley. He began performing at churches and coffeehouses while at college. Shust began leading worship at Perimeter Church, Duluth, Georgia in 2000 and recorded his album, Anything Worth Saying in 2004 with producer Dan Hannon who delivered the album along with a stack of others along to Brash Music for consideration. Brash Music signed Shust shortly thereafter.

Son of a Man, Great I am, King of heaven, son of god, you hold the measure of my days Holy Lamb, spotless Lamb, You are worthy, I am not Before Your throne I stand amazed Every tongue confess and every knee will bow To Jesus Christ the Lord forever, hear our praises now Your name is matchless, Your name is priceless Your name means more than I could know You're so far above me, the way that you love me goes further than any love could go Wonderful Counselor, Root of David, morning star you are the way, the truth, the life lion of the tribe of judah, Mighty god is who you are the only perfect sacrifice In your name you took the blind man and you gave him back his sight In your name you took the dead man and you brought him back to life In your name you took this prisoner and you opened up the doors And I will sing before your throne forever more

Click here to learn more about Aaron: www.aaronshust.com/index.html

Click here to worship along with Aaron Shust: www.youtube.com/watch?v=XW9NJiSXHmE

“Remedy"

This song is by David Crowder. As you might guess from the title and the medical cross on the cover, Remedy focuses on God's constant presence as the answer to our hurts while challenging listeners to be the balm needed in the lives of others. Indeed, the Texas band's 2007club tour is part worship experience, part rallying cry to inspire change in local communities. At the same time, one could view this album as the band's personal healing in response to the tragic death of their friend and pastor Kyle Lake shortly after the release of A Collision.
Here is Davids' answer to what is worship? This is actually a really difficult question because language is such a fluid thing. A word like “worship” changes and evolves and provokes different meanings for different community sets. Over the last few decades, at least within Christian culture, the word has become synonymous with “music within a congregational context.” You say the word “worship” and a person immediately pictures in his head people singing in a room with lyrics projected on a screen. Words and the objects they signify are very difficult to separate. I’ll show you what I mean. Okay, in your head, say the word, “eight”—and try to not picture the number eight. It’s nearly impossible. So, once a word begins to signify something, it is hard to separate it from the thing it is signifying. For me, I tend to not trust moments of congregational singing as an indicator of where our true affections lie. It is a very simple thing to get caught up in the beauty of music and song erupting in a room full of people. So I rarely trust that moment. I think a better indicator of worship may be the way we interact with the world around us.

Click here to watch the David Crowder band on tour:
www.youtube.com/profile?user=davidcrowderband

Click here to learn more about The David Crowder band:
www.davidcrowderband.com/

Click here to visit Davids' myspace:
www.myspace.com/davidcrowderband

Click here to worship along with a powerful video:
www.youtube.com/watch?v=O3UWiJCZAz8

Click here for a live performance:
www.youtube.com/watch?v=zGIth9d_LXE&feature=related

Here we are Here we are The broken and used Mistreated, abused
Here we are Here You are Here You are The beautiful one Who came like a Son
Here You are So we lift up our voices We open our hands
To cling to the love That we can’t comprehend

"Consuming Fire"

Tim Hughes wrote the following on how the song came about:

In 1 Corinthians 13:12, it says, "Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known." That's an amazing thought. While we are living on this earth we will never fully be able to take in all of God's glory. In fact no one can see the Lord's face without dying (Exodus 33:20) - that's how glorious He is. With this truth in mind we can always press on to discover more - more of his love, more of his power, more of his healing, more of his greatness. Our cry for more of God is one of the greatest things we could do. God is honored and glorified when we admit our desire and need for him.

"There must be more than this, O breath of God come breathe within.
There must be more than this, Spirit of God we wait for you."

The song 'Consuming Fire' was really a song that was birthed out of our church at Soul Survivor Watford. A lot of the talks had been on our need to go deeper with God, so that we might go further. There was a real desire to see God moving more powerfully amongst us. We were desperate to see the lost saved, people being healed, and our lives changed. In effect we wanted to see God being glorified.I remember one particular Sunday morning when the assistant pastor's wife was speaking. As she spoke she kept repeating this phrase that stuck in my head - 'there must be more.' It got me thinking. So often there is the danger of complacency. Sometimes in our lives we get so busy and so preoccupied with life around us, that we don't make space and time for God. We go through the motions of Church and quiet times, but that wholehearted pursuit isn't there. We don't ask for more and therefore we don't see it. We need the heart and attitude of Moses. In Exodus we see Moses before the Lord crying out for His presence. "If Your presence does not go with us, do not send us up from here. How will anyone know that You are pleased with me unless You go with us? What else will distinguish me and Your people from all the other people on the face of the earth?" (Exodus 33:15-16) Moses was desperate. He knew that without God's presence he could make no difference. He wasn't going to move or leave until God blessed him and revealed more of His glory. Are we desperate for more of God? Are we searching to find more of Him? As we see more of who God is, we'll fall deeper in love with him. As we scratch the surface, we'll discover that there is even more to discover."Consuming Fire, fan into flameA passion for your name.Spirit of God, fall in this place,Lord have your way, Lord have your way.With us."

Click here to worship along on the song:
www.youtube.com/watch?v=q6kYBXQXw_g

Click here for another version: www.youtube.com/watch?v=ZCXh70eHSw4

Behind the Praise - Sunday July 19, 2009

BLENDED 9:30AM

“Who Can Satisfy”

Dennis Jernigan is a singer-songwriter of contemporary Christian music. He is native to Oklahoma, and headquarters a music-based ministry from there. Formerly a homosexual, Jernigan now lives in Muskogee, Oklahoma with his wife of nearly 24 years and their nine children.
A primary source of inspiration for Jernigan's message and music is an experience he describes as his "deliverance from homosexuality", which he states to have begun during a 2nd Chapter of Acts concert in 1981 at Oklahoma Baptist University. Jernigan has stated that he believes his prior identification as homosexual was related to a childhood perception that he had been rejected by his father. He claims that both perceptions were erroneous:
As a boy I needed a role model to show me the way to manhood. But because I felt rejected by the main man in my life I, in turn, rejected him and began to yearn for intimacy with a man in perverse ways. Because of this wrong thinking I came to believe I was homosexual. It must have begun early in my life because I remember having those feelings for the same gender at a very early age.
It was then [during a critical moment at the 2nd Chapter of Acts concert] that I lost the need to be accepted or loved by others because I realized Jesus would love me and accept me no matter what, even when I was rejected by others! It was also at this same time that those sexually perverse thoughts and desires were changed...and He began to replace them with holy and pure thoughts about what sexual love was all about.
You may know the music of Dennis Jernigan rather than the mention of his name. Songs like: "You Are My All in All", "Great is the Lord Almighty", and "Nobody Fills My Heart Like Jesus", as well as hundreds of others are sung literally all over the world. Dennis believes worship is all about relationship rather than performance...and he believes he is called to help people get honest with themselves and with God simply because he has found in his own life that honesty and truth have set him free. He has an incredible testimony that he shares very openly with his audiences.

To read more about Dennis visit his website at
http://www.dennisjernigan.com/.

Dennis and his wife Melinda, along with eight of their nine children make their home in Muskogee, Oklahoma where they serve Christ through the local body of believers known as New Community Church.

Click here to listen to the song “Who Can Satisfy” by the Lee University Singers:
www.youtube.com/watch?v=UNMw73XAtaA&feature=related

Click here to hear the Hebraic Christian worship team:
www.youtube.com/watch?v=bUGjaCtxwKQ&feature=related

Click here to listen to Dennis share about his favorite scripture: www.revver.com/video/516239/dennis-jernigan-shares-about-his-favorite-bible-verses/

“Jesus Paid it All”

The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" (Jesus, Paid it All) was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?" The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here for a solo arrangement of the song:
www.youtube.com/watch?v=fo4WcozMTlU

Click here for an instrumental arrangement:
www.youtube.com/watch?v=dZDc-1AV6SA

Click here for a choir arrangement:
www.youtube.com/watch?v=TUMLHsMZ5Gk

Go here for a solo arrangement by Ben Forde, scroll down on the rhapsody player to song # 32
http://play.rhapsody.com/playlistcentral/playlistdetail?playlistId=ply.11990274&didAutoplayBounce=true

"Oh Lord, You're Beautiful"

This worship song was written by Keith and Melody Green. Keith Gordon Green (October 21, 1953 – July 28, 1982) was an American gospel singer, songwriter, musician, and Contemporary Christian Music artist originally from Sheepshead Bay, New York. Green is best known for his strong devotion to Christian evangelism and encouraging others to the same. Notable songs written by Green and/or his wife, Melody Green, include "Your Love Broke Through," "You Put This Love In My Heart," and "Asleep In The Light," as well as the popular modern hymns "O Lord, You're Beautiful" and "There Is A Redeemer."

Click here to learn more about Kieth Green:
www.youtube.com/watch?v=G6hOyx8LF4I

Click here to learn more about Keith Green's ministry:
http://en.wikipedia.org/wiki/Keith_Green

Click here to listen to the song by Keith Green:
www.youtube.com/watch?v=Fh4ac4znuRk

Click here to listen to a guitar arrangement of the song:
www.youtube.com/watch?v=ITmHiby-fDE

“Amazing Grace”

John Newton wrote this hymn some time after converting to Christianity in the village of Kineton, in Warwickshire, England. The lyrics are based on his reflections on an Old Testament text he was preparing to preach on, adding his perspective about his own conversion while on his slave ship, the Greyhound, in 1748.
The melody most often used for this hymn was not original (nor was Newton a composer). As with other hymns of this period, the words were sung to a number of tunes before and after they first became linked to the now familiar variant of the tune "New Britain" of which the composer is unknown and is in William Walker's shape-note tunebook Southern Harmony, 1835.

Click here to view the many arrangements of Amazing Grace on youtube: www.youtube.com/results?search_query=amazing+grace+&search_type=

CONTEMPORARY 11:00AM

“For all You’ve Done”

This song is by Reuben Morgan.
Reuben Morgan on men worshipping:
People are more passionate than ever, Morgan observes. I think God's stirring the church. For the most part, churches are singing the same songs no matter where you go, which is pretty incredible. Even in countries that don't speak English, they're still singing the same songs. As a strong male leader, Morgan is particularly interested in seeing the men of the church take more risks in their outward expressions of faith. I think a really good model for men and worship is David, Morgan says. Men can be a little more reserved when it comes to expressing their feelings and really being passionate. But I think there's health in a guy really learning how to do that in the right way. I think the Bible is clear on what are appropriate ways to express our love for God passionately. My personal feeling is that lifting our hands, shouting and all of that is a way of connecting with God. They're expressions, and they can be healthy in our growth.

Click here to read more about Reuben Morgan
http://en.wikipedia.org/wiki/Reuben_Morgan

My Savior, Redeemer Lifted me from the miry clay Almighty forever I will never be the same ‘Cause You came near From the everlasting To the world we live The Father’s only Son You lived and You died You rose again on high You opened the way For the world to live again Hallelujah For all You’ve done Hallelujah For all You’ve done

Click here to worship along with the Lakewood Church in Houston:
www.youtube.com/watch?v=60cZ5SmlXMc&feature=related

"Beautiful One"

Tim wrote this song based upon Isaiah 53:

Click here to listen to Tim Hughes share how he wrote the song
www.youtube.com/watch?v=LJj6fiJ2aW8&mode=related&search=

Click here to worship along with Jeremy Camp
www.youtube.com/watch?v=pdF-cBk9CBU

Click here to worship along with Tim Hughes
www.youtube.com/watch?v=sMyVZW0zY14&mode=related&search=

Click here to learn more about Tim
www.timhughesmusic.com/

"Hungry"

This song was written by Kathryn Scott while living in Glasgow. Kathryn found her self desperate for the Lord and this song became her personal cry for revival.

Click here to listen to Kathryn share her story:
http://www.theheartofworship.org/stories.shtml


Hungry I come to You For I know You satisfy
I am empty but I know Your love does not run dry
So I wait for You So I wait for You I'm falling on my knees
Offering all of me Jesus You're all This heart is living for
Broken I run to You For Your arms are open wide
I am weary but I know Your touch Restores my life

Click here for Kathryns' myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=95452289

Here is Kathryns' bio:

Kathryn (Rainey) Scott was born into a very musical family with a passion for ministry. During her early childhood, her father Roy and singer/songwriter mom Mildred worked in a recording studio when the family wasn’t travelling across the UK with an evangelism group. It was during those early years that Kathryn made a decision to follow Jesus. And, by age 9, she had begun writing songs with the encouragement of her mom. At 19, she entered Elim Bible College (now Regent’s Theological College) in England, where she studied theology and met her future husband, Alan. The couple married after college and together began to seek God’s plan for their lives, believing they were called to plant a church but not sure of how to go about it. They began the journey by becoming assistant pastors at Alan’s home church, South West Glasgow Vineyard. At that time, Kathryn met award-winning artist and songwriter Brian Doerksen and began working with him to hone her own skills as a worship leader and songwriter. Soon after, she penned the songs Child of God and Hungry, which were eventually recorded by Vineyard Music. Two years later, Alan and Kathryn departed for Northern Ireland to plant a church of their own. A year later, Causeway Coast Vineyard began meeting in a local pub when the couple could find no other available venues. Within a few years, the church grew to a congregation of over 400 adults and 100 children. And, as the church grew, so did Kathryn’s reputation as a songwriter. She signed with Integrity Music and released her critically-acclaimed solo debut Satisfy in 2003. The CD included the popular songs At The Foot Of The Cross, Search Me, Know Me and the evergreen Hungry among others. She also continued writing with Doerksen and artist Paul Baloche, contributing songs and guest vocals to their recent Integrity CDs. In mid-December of ‘07, Kathryn will release I Belong, a studio recording produced by Brent Milligan. The CD features co-writes with Baloche and Doerksen and with her first writing partner and coach, her mom. Kathryn and Alan are busier than ever at Causeway and as parents to their young daughters Sophie and Emily Joy.

Click here to worship along with Kathryn Scott:
www.youtube.com/watch?v=6gPbAz4H6ZE Click here to listen online:
www.imeem.com/ronny1994/music/EaWlJeAP/kathryn_scott_hungry/

"Still"
… the challenge of the Church is to keep worship accessible to all people - Rueben MorganRueben wrote the song "Still" as a reminder to "be still and know that I am God". Reuben has a passion to see the church and the world inspired to worship God. A worship pastor on the Hillsong church leadership team, Reuben works alongside
Darlene Zschech to create an atmosphere of praise and worship that draws
people into God’s presence and helps soften hearts to Jesus’ salvation message.
Reuben is an integral leader of the Hillsong church worship team, teaching often
at the Worship and Creative Arts program. Leading worship on a weekly basis at
Hillsong church, Reuben was the youth Music Pastor who helped to establish
‘Hillsong United’- currently one of the most sought after youth praise and worship
bands having appeared at Creation, Edmonton and Soul Survivor in 2003. He
was one of the major producers on four of the United albums including Everyday,
Best Friend, King Of Majesty and To The Ends Of The Earth. With a congregation
of over 15,000 people, Hillsong Church in Sydney, Australia is potentially the
nations largest local church with a TV program that reaches over 125 different
countries across the globe. Hillsong has been instrumental in

Click here to worship along with the Hillsong version
www.youtube.com/watch?v=Qk8horRi3_E

Click here for another arrangement:
www.youtube.com/watch?v=FPtZRnQyzSM

Behind the Praise - Sunday July 12, 2009

BLENDED WORSHIP 9:30AM

"Here is our King"

This worship song was written by David Crowder in response the Tsunami on December 24, 2004. David and his wife were watching the images of devastation preparing to attend the Passion meeting in Nashville later that month. David was having trouble processing the level of devestation. He remembered telling his wife that 9-11 made more sense, as we are used to humanity doing something to each other. Historically we've done unkind things to each to each other and all we have to do is turn on the news. David knew how to process that devestation, but to be able to see such devestation unfold before his eyes was a new process for him. He struggeld with how to look at that and still say "God is Good". This song was David's response to God in the face of such a tragedy.

From wherever spring arrives to heal the ground

From wherever searching comes the look itself

A trace of what we’re looking for So be quiet now and wait

The ocean is growing the tide is coming in

Here it is Here is our king, Here is our love here is our God

Who’s come to bring us back to him He is the one, he is Jesus, Jesus

Click here to worship along with David Crowder:
www.youtube.com/watch?v=n6Fl_nqGJc0

Click here to listen to David share about how the song came about:
www.youtube.com/watch?v=Aea5Mq4sSUA

"Come Thou Fount"

Robert Robinson, following the tradition of ministers of the time, wrote "Come, Thou Fount of Every Blessing" as a hymn-poem for the conclusion of his sermon for Whitsunday, 1758. He was 23 years old at the time. It was published the following year in A Collection of Hymns used by the Church of Christ in Angel Alley, Bishopsgate (1759). There has been some speculation that it was written by the Countess of Huntingdon, but it is generally agreed to be the work of Robinson.

Originally "Come, Thou Fount of Every Blessing" had four stanzas. The fourth stanza was omitted by Martin Madan in Psalms and Hymns, 1860 and has not been used since. The statement in stanza two, "Here I raise my Ebenezer" refers to I Samuel 7:12, "Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, "Thus far the LORD has helped us." Ebenezer is the Hebrew for "Stone of Help." Israel had suffered defeat because of its sin. But the people had repented of their sin, God had helped them and they were victorious. Samuel placed the stone to remind Israel that God had them, their victory was because of Him.
In stanza three, Robinson speaks of being "prone to wonder, prone to leave the God I love". This seems to be a forecast of his later life, when he lapsed into sin, unstableness and involvement with Unitarianism. There is a well-known story of Robinson, riding a stagecoach with a lady who was deeply engrossed in a hymnbook. Seeking to encourage him, she asked him what he thought of the hymn she was humming. Robinson burst into tears and said, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."

Click here to watch and sing along with the Gateway church version
www.youtube.com/watch?v=1BFNvhbuNg4&mode=related&search=

If you like more of a traditional arrangement check out this choir arrangement here:
www.youtube.com/watch?v=mUhU0HgTq94&mode=related&search=

"Purer in Heart O God"

Fannie F. Davidson wrote these powerful lyrics. Fannie’s fa­ther was killed when she was 10 years old; af­ter her mo­ther’s re­mar­ri­age to ho­tel­i­er Hen­ry War­ner, the fam­i­ly moved to Carth­age, Mis­sou­ri. Fan­nie mar­ried court re­port­er Asa Lee Da­vis­on and they moved to Chi­ca­go, Il­li­nois, then Ma­di­son, Wis­con­sin. Sev­er­al of her songs ap­peared in pub­li­ca­tions from the Fill­more Bro­thers of Cin­cin­na­ti, Ohio, in­clud­ing Songs of Gra­ti­tude (1877), Joy and Glad­ness (1880) and The Voice of Joy (1882).

Click here for an organ arrangement:
www.youtube.com/watch?v=ORpn9Na5oyg

"Change My Heart O God"

Eddie Espinosa wrote this simple prayer. Eddie is one of the most skilled worship leaders at connecting songs together seamlessly so as to make them flow both musically and textually. Eddie was the cutting-edge worship leader at the Anaheim Vineyard back in the 1980's when John Wimber was senior pastor. He continues to lead worship seminars and conferences around the country.

Click here to listen online:
www.imeem.com/people/q5flsd5/music/m7baIwT7/change-my-heart-oh-godwma/

Click here to listen to the song:
www.youtube.com/watch?v=CEtsHWFE6-w


CONTEMPORARY 11:00AM

“Point of Difference”

This songs from the Hillsongs worship was written by Joel Houston. Joel Houston is a musician and songwriter, best known as the key worship leader and producer of Sydney based worship band Hillsong United, the worship band of Hillsong Church's youth group, also known as Hillsong United. In 2008 he became the Creative Director at Hillsong Church. He is the oldest son of the church's senior pastors Brian and Bobbie Houston and grandson of the church's founder Frank Houston. He has two siblings, a brother Benjamin and a sister, Laura.

The tide is turning this is redemption's hour
In the midst of the world lost for love you are all we have now
The lost returning salvation is all around in the midst of the world broken down
You are all we have now for You are God and this hope is ours
So Father open the skies flood the earth with your light
This is love, to break a world indifferent
Our hearts are burning the fire that won't burn out
In the midst of a world that's grown cold you are all we have now
The earth resounding the anthem of your renown
As we lift up our eyes and look to your glory
Call us out let the world see you are God and this hope is ours
So call us out, let the world see You are God as we sing

Click here to worship along with the Hillsongs worship ministry:
www.youtube.com/watch?v=ohyE2vxwoxM

"Matchless"

Aaron Shust grew up near Pittsburgh, Pennsylvania. He studied music theory at Toccoa Falls College in Georgia, where he studied Wolfgang Amadeus Mozart and Johann Sebastian Bach. He also became influenced by U2 and Bob Marley. He began performing at churches and coffeehouses while at college. Shust began leading worship at Perimeter Church, Duluth, Georgia in 2000 and recorded his album, Anything Worth Saying in 2004 with producer Dan Hannon who delivered the album along with a stack of others along to Brash Music for consideration. Brash Music signed Shust shortly thereafter.

Wonderful Counselor, Root of David,

Morning star you are the way,

The truth, the life lion of the tribe of judah,

Mighty god is who you are the only perfect sacrifice

In your name you took the blind man and you gave him back his sight

In your name you took the dead man and you brought him back to life

In your name you took this prisoner and you opened up the doors

And I will sing before your throne forever more

Click here to learn more about Aaron:

www.aaronshust.com/index.html

Click here to worship along with Aaron Shust:
www.youtube.com/watch?v=XW9NJiSXHmE

"Wonderful Maker"

Chris Tomlin wrote this powerful song. Chris received his first guitar from his father, Connie, at the age of eleven after contracting a case of mono. Then, Tomlin wrote his first worship song at age fourteen. He entered college planning to study medicine, but he stated that he felt God's calling to something else and did not pursue that career.In the mid-1990's Tomlin spent time leading worship at the Dawson McAllister Youth Conferences, as well as at various camps around the state of Texas.Following college, at Texas A&M University Tomlin continued to play and write songs, and in 1997, Louie Giglio asked if he would be interested in working with the Passion Conferences. Tomlin agreed, and he has played a key role ever since.

His first nationally released solo project, entitled The Noise We Make, was released in 2001, which saw the emergence of songs "Forever" (his most famous song other than "How Great Is Our God"), "Be Glorified", and "Kindness", all of which made the top 200 in the CCLI 2005 top 500 worship songs. According to Christian Copyright Licensing International's list of the top 25 worship songs in the United States as of August 2007, Tomlin held 5 spots with songs he has either written or co-written with other songwriters: "How Great Is Our God" (#1), "Forever" (#5), "Holy Is the Lord" (#7), "We Fall Down" (#12),and "Indescribable" (#22).

What a wonderful Maker What a wonderful Savior

How majestic Your whispers And how humble Your love

With a strength like no other And the heart of a Father

How majestic Your whispers What a wonderful God

Click here to worship along on the song:
www.youtube.com/watch?v=NPT-8zrWWJk

“Agnus Dei”

Michael Whitaker Smith has become one of the most enduringly popular artists on the Christian Contemporary Music front and is also finding considerable success as a mainstream artist. He was born in Kenova, West Virginia, the son of an oil refinery worker and a caterer. He became a devout Christian at age ten and spent his teens hanging around with a solid support group of fellow believers who frequently gathered to play and make music. After high school, that support group split up, and Smith turned to alcohol, drugs and wild times. He scraped through a couple semesters of college and began honing his songwriting skills. In 1978, a songwriting company expressed interest in his songwriting, and he moved to Nashville, where he played with local bands, including Rose. He was still heavily into drugs and continued using until October 1979, when he suffered a sort of emotional mental breakdown that culminated in recommitting to Christ. The next day he auditioned for a new CCM group, Higher Ground, as a keyboardist. While touring with them, Smith cleaned up his act.

In 1981, he signed to Meadowgreen Music as a staff writer, where over the next few years he provided gospel hits for such artists as Sandi Patti, Kathy Troccoli, Bill Gaither and Amy Grant. He began touring as a keyboardist with Grant in 1982 and the following year, after releasing his first album, The Michael W. Smith Project, became her opening act. His debut album garnered him a Grammy nomination for Best Gospel Performance.Agnus Dei is a Latin term meaning Lamb of God, and was originally used to refer to Jesus Christ in his role of the perfect sacrificial offering that atones for the sins of humanity in Christian theology, harkening back to ancient Jewish Temple sacrifices.

Click here to worship along with Michael W. Smith and a fantastic boy’s choir:
www.youtube.com/watch?v=eTWFYRA2j74&feature=related

Click here to worship along with Third Day:
www.youtube.com/watch?v=mbKXJ1Jm_jg