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Blended Worship 9:30
"Friend of God"
Israel Houghton serves as one of the worship pastors for Lakewood Church in Houston. Here is a portion of his amazing story.
I really should have been one of those abortion statistics you read about. My mother became pregnant with me when she was 17. My mother's white and my biological father's black. Her family wasn't supportive of their relationship and gave her the choice to have a back-alley abortion or to be disowned. I'm here because of the decision she made-and because of her conversion shortly after that. So when I lead worship I'm crazy. I realize how fortunate I am to be called by God and to be protected, to be covered by him. I'm incredibly grateful.
I grew up in a fairly legalistic home. My parents loved God, and they did the very best they could with what they knew. They came from a very discipleship-oriented, fairly heavy-handed way of doing kingdom work. So I would have more easily said, "I am afraid of God" than "I am a friend of God." The view I had of God was dysfunctional, almost like he was looking for opportunities to punish me. That was more what I caught than what was taught. But the more I said "I am a friend of God," the more that old, condemning view was purged from my life. I gained a healing sense of God saying, "I want to know you."
Here is a devotional thought on the song
www.gospelflava.com/articles/songinword-friendofgod.html
"Friend of God"
Israel Houghton serves as one of the worship pastors for Lakewood Church in Houston. Here is a portion of his amazing story.
I really should have been one of those abortion statistics you read about. My mother became pregnant with me when she was 17. My mother's white and my biological father's black. Her family wasn't supportive of their relationship and gave her the choice to have a back-alley abortion or to be disowned. I'm here because of the decision she made-and because of her conversion shortly after that. So when I lead worship I'm crazy. I realize how fortunate I am to be called by God and to be protected, to be covered by him. I'm incredibly grateful.
I grew up in a fairly legalistic home. My parents loved God, and they did the very best they could with what they knew. They came from a very discipleship-oriented, fairly heavy-handed way of doing kingdom work. So I would have more easily said, "I am afraid of God" than "I am a friend of God." The view I had of God was dysfunctional, almost like he was looking for opportunities to punish me. That was more what I caught than what was taught. But the more I said "I am a friend of God," the more that old, condemning view was purged from my life. I gained a healing sense of God saying, "I want to know you."
Here is a devotional thought on the song
www.gospelflava.com/articles/songinword-friendofgod.html
Here is an interview with Israel that gives great insight into Israel’s walk with the Lord. www.cbn.com/700club/guests/interviews/israel_houghton_041205.aspx
Click here to listen to the song
www.youtube.com/watch?v=ty0SO7IvtXM
“A Mighty Fortress is our God”
(German, Ein' feste Burg ist unser Gott) is the best known of Martin Luther's hymns. Luther wrote the words and composed the melody sometime between 1527-1529.[ It has been translated into English at least seventy times and also into many other languages.The words are a paraphrase of Psalm 46.The most popular English version, "A mighty fortress is our God, a bulwark never failing," was translated by Frederick H. Hedge in 1853. Another popular English version by Thomas Carlyle begins "A safe stronghold our God is still."
Click here to read more about this great hymn:
http://en.wikipedia.org/wiki/A_Mighty_Fortress_Is_Our_God
Click here to worship along with Steve Green:
www.youtube.com/watch?v=NRJHKzU_t1M
Click here to listen to an organ arrangement:
www.youtube.com/watch?v=E54lZUnMucc&feature=related
“The Heart of Worship”
Still, as prolific as these works make him, he says the story behind “The Heart of Worship” in particular is a personal reminder that, “I’m just a little songwriter—and a pretty foolish one at that!”
The song dates back to the late 1990s, born from a period of apathy within Matt’s home church, Soul Survivor, in Watford, England. Despite the country’s overall contribution to the current worship revival, Redman’s congregation was struggling to find meaning in its musical outpouring at the time.
“There was a dynamic missing, so the pastor did a pretty brave thing,” he recalls. “He decided to get rid of the sound system and band for a season, and we gathered together with just our voices. His point was that we’d lost our way in worship, and the way to get back to the heart would be to strip everything away.”
Reminding his church family to be producers in worship, not just consumers, the pastor, Mike Pilavachi, asked, “When you come through the doors on a Sunday, what are you bringing as your offering to God?”
Matt says the question initially led to some embarrassing silence, but eventually people broke into a cappella songs and heartfelt prayers, encountering God in a fresh way.
“Before long, we reintroduced the musicians and sound system, as we’d gained a new perspective that worship is all about Jesus, and He commands a response in the depths of our souls no matter what the circumstance and setting. ‘The Heart of Worship’ simply describes what occurred.”
When the music fades, all is stripped away, and I simply come / Longing just to bring something that’s of worth that will bless your heart… / I’m coming back to the heart of worship, and it’s all about You, Jesus
Redman remembers writing the song quickly in his bedroom soon after the church’s journey together, with no grand intentions, by any means, for it to become an international anthem. He viewed the words simply as his personal, subjective response to what he was learning about worship.
But when Matt shared “The Heart of Worship” with Pilavachi, the pastor suggested making a few small adjustments to the lyrics so any member of the church could relate to it as well.
Amazed by how God has since taken the song around the world for His purposes, the songwriter smiles in regard to his own lack of foresight. “It nearly didn’t go any further than my bedroom. But I love that…”
The trademark tune soon became the title track for Matt Redman’s 1999 album, The Heart of Worship. The recording process was consistent with the artist’s sensitive approach to being in the studio.
“We decided to not get all complicated, and just let the song ‘breathe.’ We’re always trying to create more of a church atmosphere in the studio rather than just a technical musical gathering. Something happens when the people of God gather together and play out the praises of God in the presence of God. Hopefully something of that passion and purpose transcends beyond that studio room onto the recordings themselves.”
Following Matt’s original release, which featured a guest vocal appearance by Martin Smith, lead singer of Delirious, “The Heart of Worship” became a new standard of the modern worship music movement, sung by fellow artists, choirs, and church families alike. Among the ever-rising number of reinterpretations, Redman is especially fond of Michael W. Smith’s from his 2001 classic, Worship.
“I honestly like them all,” he admits. “It’s a great encouragement when people take the songs and run with them. Perhaps my favorite is Michael’s— maybe because it’s a live version and therefore really captures and conveys the heart of the song’s theme.”
“A Mighty Fortress is our God”
(German, Ein' feste Burg ist unser Gott) is the best known of Martin Luther's hymns. Luther wrote the words and composed the melody sometime between 1527-1529.[ It has been translated into English at least seventy times and also into many other languages.The words are a paraphrase of Psalm 46.The most popular English version, "A mighty fortress is our God, a bulwark never failing," was translated by Frederick H. Hedge in 1853. Another popular English version by Thomas Carlyle begins "A safe stronghold our God is still."
Click here to read more about this great hymn:
http://en.wikipedia.org/wiki/A_Mighty_Fortress_Is_Our_God
Click here to worship along with Steve Green:
www.youtube.com/watch?v=NRJHKzU_t1M
Click here to listen to an organ arrangement:
www.youtube.com/watch?v=E54lZUnMucc&feature=related
“The Heart of Worship”
Still, as prolific as these works make him, he says the story behind “The Heart of Worship” in particular is a personal reminder that, “I’m just a little songwriter—and a pretty foolish one at that!”
The song dates back to the late 1990s, born from a period of apathy within Matt’s home church, Soul Survivor, in Watford, England. Despite the country’s overall contribution to the current worship revival, Redman’s congregation was struggling to find meaning in its musical outpouring at the time.
“There was a dynamic missing, so the pastor did a pretty brave thing,” he recalls. “He decided to get rid of the sound system and band for a season, and we gathered together with just our voices. His point was that we’d lost our way in worship, and the way to get back to the heart would be to strip everything away.”
Reminding his church family to be producers in worship, not just consumers, the pastor, Mike Pilavachi, asked, “When you come through the doors on a Sunday, what are you bringing as your offering to God?”
Matt says the question initially led to some embarrassing silence, but eventually people broke into a cappella songs and heartfelt prayers, encountering God in a fresh way.
“Before long, we reintroduced the musicians and sound system, as we’d gained a new perspective that worship is all about Jesus, and He commands a response in the depths of our souls no matter what the circumstance and setting. ‘The Heart of Worship’ simply describes what occurred.”
When the music fades, all is stripped away, and I simply come / Longing just to bring something that’s of worth that will bless your heart… / I’m coming back to the heart of worship, and it’s all about You, Jesus
Redman remembers writing the song quickly in his bedroom soon after the church’s journey together, with no grand intentions, by any means, for it to become an international anthem. He viewed the words simply as his personal, subjective response to what he was learning about worship.
But when Matt shared “The Heart of Worship” with Pilavachi, the pastor suggested making a few small adjustments to the lyrics so any member of the church could relate to it as well.
Amazed by how God has since taken the song around the world for His purposes, the songwriter smiles in regard to his own lack of foresight. “It nearly didn’t go any further than my bedroom. But I love that…”
The trademark tune soon became the title track for Matt Redman’s 1999 album, The Heart of Worship. The recording process was consistent with the artist’s sensitive approach to being in the studio.
“We decided to not get all complicated, and just let the song ‘breathe.’ We’re always trying to create more of a church atmosphere in the studio rather than just a technical musical gathering. Something happens when the people of God gather together and play out the praises of God in the presence of God. Hopefully something of that passion and purpose transcends beyond that studio room onto the recordings themselves.”
Following Matt’s original release, which featured a guest vocal appearance by Martin Smith, lead singer of Delirious, “The Heart of Worship” became a new standard of the modern worship music movement, sung by fellow artists, choirs, and church families alike. Among the ever-rising number of reinterpretations, Redman is especially fond of Michael W. Smith’s from his 2001 classic, Worship.
“I honestly like them all,” he admits. “It’s a great encouragement when people take the songs and run with them. Perhaps my favorite is Michael’s— maybe because it’s a live version and therefore really captures and conveys the heart of the song’s theme.”
Click here to worship along:
Click here to sing through:
“And Can it Be”
Not many hymns begin with a question as does this one. However, it is not an expression of doubt but of wonder and awe. · How can it be that the shedding of Jesus’ blood 1900 years ago is relevant to me today? · How was it possible for the Son of God to have died for me? · Why should our Lord empty Himself of all His divine glory and become a man, in order to save “Adam’s helpless race?” There is considerable evidence that this hymn was written by Charles Wesley soon after his own conversion. Charles Wesley’s crisis experience occurred on May 20, 1738. He had been sick in body as well as in spirit. It seemed that God spoke to him through a vision. According to his Journal, this confrontation took place after reading the bible for some time. Following is his account: “At midnight I gave myself up to Christ: assured I was safe, sleeping or waking. I had continued experience of his power to overcome all temptation; and confessed, with joy and surprise, that he was able to do exceedingly abundantly for me, above what I can ask or think.” And Can it Be, that I Should Gain And can it be, that I should gain
An interest in the Savior’s blood`? Died he for me, who caused his pain?
For me, who him to death pursued?
Amazing love! how can it be
That thou, my God, shouldst die for me?
’Tis mystery all! The Immortal dies!
Who can explore his strange design? In vain the first-born seraph tries
To sound the depths of love divine!
Tis mercy all! let earth adore,
Let angel-minds inquire no more. He left his Father’s throne above,
(So free, so infinite his grace!)
Emptied himself of all but love,
And bled for Adam’s helpless race: ’Tis mercy all, immense and free,
For, O my God, it found out me!
Long my imprisoned spirit lay
Fast bound in sin and nature’s night; Thine eye diffused a quickening ray,
I woke, the dungeon flamed with light;
My chains fell off, my heart was free,
I rose, went forth, and followed thee. No condemnation now I dread,
Jesus, and all in him, is mine! Alive in him, my living Head,
And clothed in righteousness divine,
Bold I approach the eternal throne,
And claim the crown, through Christ my own.
Click here to listen to the tune:
http://gbgm-umc.org/Umhistory/Wesley/hymns/umh363.mid
Click here to worship along on the song:
www.youtube.com/watch?v=sQeIGbKqiw8
Not many hymns begin with a question as does this one. However, it is not an expression of doubt but of wonder and awe. · How can it be that the shedding of Jesus’ blood 1900 years ago is relevant to me today? · How was it possible for the Son of God to have died for me? · Why should our Lord empty Himself of all His divine glory and become a man, in order to save “Adam’s helpless race?” There is considerable evidence that this hymn was written by Charles Wesley soon after his own conversion. Charles Wesley’s crisis experience occurred on May 20, 1738. He had been sick in body as well as in spirit. It seemed that God spoke to him through a vision. According to his Journal, this confrontation took place after reading the bible for some time. Following is his account: “At midnight I gave myself up to Christ: assured I was safe, sleeping or waking. I had continued experience of his power to overcome all temptation; and confessed, with joy and surprise, that he was able to do exceedingly abundantly for me, above what I can ask or think.” And Can it Be, that I Should Gain And can it be, that I should gain
An interest in the Savior’s blood`? Died he for me, who caused his pain?
For me, who him to death pursued?
Amazing love! how can it be
That thou, my God, shouldst die for me?
’Tis mystery all! The Immortal dies!
Who can explore his strange design? In vain the first-born seraph tries
To sound the depths of love divine!
Tis mercy all! let earth adore,
Let angel-minds inquire no more. He left his Father’s throne above,
(So free, so infinite his grace!)
Emptied himself of all but love,
And bled for Adam’s helpless race: ’Tis mercy all, immense and free,
For, O my God, it found out me!
Long my imprisoned spirit lay
Fast bound in sin and nature’s night; Thine eye diffused a quickening ray,
I woke, the dungeon flamed with light;
My chains fell off, my heart was free,
I rose, went forth, and followed thee. No condemnation now I dread,
Jesus, and all in him, is mine! Alive in him, my living Head,
And clothed in righteousness divine,
Bold I approach the eternal throne,
And claim the crown, through Christ my own.
Click here to listen to the tune:
http://gbgm-umc.org/Umhistory/Wesley/hymns/umh363.mid
Click here to worship along on the song:
www.youtube.com/watch?v=sQeIGbKqiw8
CONTEMPORARY 11:00
“O Praise Him”
When David Crowder was attending Baylor University in Waco, Texas in the mid 90's, he learned that more than half of the 14,000 students enrolled in the college were not attending church. This was very disturbing to Crowder, and after many conversations with a friend of his, they decided to start a church that was college friendly. Thus, University Baptist Church was born. That was 1996. Today, almost a decade later, nearly 1,000 people, most of which are college students, are attending the church. Although David Crowder's music ministry has grown significantly since then, he can still be found leading worship there on many Sundays.
Crowder deeply wanted to find a way to connect these college students to the heart of God, so he began writing songs that he hoped the students at his school could relate to. A band began to form, and a few years and some new members later, the current lineup came into being and they all commited themselves completely to the ministry.
This song was written while David and his band were flying back from Atlanta to Waco. It was the sound of wind on a plane that stirred his soul to a phrase “All this for the King”. David took a pencil and a piece of paper and wrote the following lyrics:
Turn your ear To Heaven and hear The noise inside The sound of angels awe The sound of angels songs And all this for a King We could join and sing 'All for Christ our King!' How constant How divine This song of ours will riseOh, how constant How divine This love of ours will rise Will rise... CHORUS: Oh praise Him! Oh praise Him! He is Holy! He is Holy!
Click here to listen to David share how the song came about:
www.youtube.com/watch?v=p2fbX4dRLO0&feature=related
Click here to worship along with David Crowder:
www.youtube.com/watch?v=Y2qfCynlTVg
"King of Majesty"
“O Praise Him”
When David Crowder was attending Baylor University in Waco, Texas in the mid 90's, he learned that more than half of the 14,000 students enrolled in the college were not attending church. This was very disturbing to Crowder, and after many conversations with a friend of his, they decided to start a church that was college friendly. Thus, University Baptist Church was born. That was 1996. Today, almost a decade later, nearly 1,000 people, most of which are college students, are attending the church. Although David Crowder's music ministry has grown significantly since then, he can still be found leading worship there on many Sundays.
Crowder deeply wanted to find a way to connect these college students to the heart of God, so he began writing songs that he hoped the students at his school could relate to. A band began to form, and a few years and some new members later, the current lineup came into being and they all commited themselves completely to the ministry.
This song was written while David and his band were flying back from Atlanta to Waco. It was the sound of wind on a plane that stirred his soul to a phrase “All this for the King”. David took a pencil and a piece of paper and wrote the following lyrics:
Turn your ear To Heaven and hear The noise inside The sound of angels awe The sound of angels songs And all this for a King We could join and sing 'All for Christ our King!' How constant How divine This song of ours will riseOh, how constant How divine This love of ours will rise Will rise... CHORUS: Oh praise Him! Oh praise Him! He is Holy! He is Holy!
Click here to listen to David share how the song came about:
www.youtube.com/watch?v=p2fbX4dRLO0&feature=related
Click here to worship along with David Crowder:
www.youtube.com/watch?v=Y2qfCynlTVg
"King of Majesty"
This song was written by Marty Sampson. Marty (b. May 31, 1979) is a Christian songwriter and a worship leader at the Hillsong Church in Sydney, Australia. Originally featuring in the Youth Alive albums of the late 1990s, he was one of original Hillsong United worship leaders and has led worship on every United album to date. He plays guitar and occasionally piano. He was married in November of 2006 to Michelle.Sampson was a former worship leader for Hillsong United together with Joel Houston (son of pastor Brian Houston). His last album with United in the 2007 United album All of the Above, could be his last album with Houston and the Hillsong United team.Since his marriage with Michelle, Sampson has moved from Hillsong United to the Hillsong band and helps lead worship with Darlene Zschech and the rest of the team. He is now one of the main worship leaders in Hillsong Church along with Zschech and Reuben Morgan.Sampson recently released a solo album entitled "Let Love Rule".
Click here to learn more about Marty Sampson:
Click here to worship along with the Hillsong worship ministry:
Click here for an arrangement by Marty Sampson:
www.youtube.com/watch?v=mg9Zqipk2nU
"Oh the Glory of it All"
This worship song by David Crowder is a play on the word glory. David said even as believers we struggle with defining glory.At the start he was there, he was thereIn the end, he’ll be there, he’ll be there And After all our hands have wroughtHe forgives Oh the Glory of it all is:he came here For the rescue of us allthat we may live for the glory of it allfor the glory of it all
"Oh the Glory of it All"
This worship song by David Crowder is a play on the word glory. David said even as believers we struggle with defining glory.At the start he was there, he was thereIn the end, he’ll be there, he’ll be there And After all our hands have wroughtHe forgives Oh the Glory of it all is:he came here For the rescue of us allthat we may live for the glory of it allfor the glory of it all
Click here to listen to David share about how he wrote the song:
Click here to worship along with David at a Passion event:
www.youtube.com/watch?v=Zg-1yM6insA&feature=related
“How Great Thou Art”
The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.
How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.
Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=
“How Great Thou Art”
The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.
How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.
Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=
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