Behind the Praise - Sunday May 31, 2009

BLENDED SERVICE - 9:30am

“You Are My King”

Billy and his wife Cindy live in San Antonio. Billy started leading worship in 1990, right out of college. Back then Christiandom didn't demand bands. They were satisfied with simplicity. Billy played his guitar and led worship by himself until several years later. He added a drummer (Joe McArthur) first and then a bass player (Shawn Skeen) and then Cindy joined in with vocals in 2001. Sometime around the year 2000 Billy began having vocal trouble which turned out to be a neurological condition called hyper-disphonia. There's really no cure for this condition. So Cindy began singing more of the lead vocals over time. Though Cindy sings most of the songs, Billy is still the person giving direction to the worship time and, of course, he writes most of the songs the band plays. Billy began song writing in the late 1990's. He's written several well known songs including:"Break Our Hearts", "Goodness and Mercy", "You Are My King (Amazing Love)", "Sing to the King", "I Have a River", "Die the Death", "You Are God Alone (not a god)", "You Are Welcome Here" and "Welcome to the Cross".

Learn more about Billy's ministry on his myspace website & ministry website:
www.myspace.com/billyfooteband

Learn more about Billy's ministry here:
www.billyfoote.com/

Click here to worship along with the song:
www.youtube.com/watch?v=LNBZXzN0tLU

Click here for another arrangement of the song:
www.youtube.com/watch?v=fUO0NhsaGKc

"In my Life Lord, Be Glorified"

"This a gift to be simple," says the old Quaker hymn. While that's true, few of us would expect a song with only five notes and seven words to span the planet. Yet, Bob Kilpatrick's simple "(In My Life) Lord, Be Glorified" is printed in nearly every hymnal and songbook. It's in the overhead bins and slide trays at hundreds of thousands of churches.
After nearly 20 years, it continues to emerge as one of the top 25 most-sung worship songs. It has circled the globe and been translated into more languages than the author can track.
Kilpatrick compares those five notes to the five loaves a little boy brought the Lord. "When placed in the hands of Jesus," he points out, "they fed multiplied thousands."
The example is an apt one. Just as that single lunch was meant to feed one, "Lord Be Glorified" was intended as a personal prayer of consecration. "It has spread throughout the Church worldwide," says the author, "because He blessed it, broke it and gave it away to His people."
In 1977, Kilpatrick and his wife Cindy had just begun their full-time music ministry. He remembers sitting alone in his mother-in-law's living room, while the rest of the extended family watched TV elsewhere in the home.
With a guitar in his hands and an open Bible on his knees, he asked God to help him write a song. In this song, he and his wife would dedicate themselves to the ministry to which they were being called. It was a tender, personal statement to the Father.
"I think, in retrospect," Kilpatrick says, "that this lent a certain purity to the song. I was relaxed. I wasn't trying to impress anybody. I was free to write the simplest of melodies coupled with an equally simple prayer."
Here are those lyrics, along with the seldom-heard verses:

In my life, Lord, be glorified, be glorified In my life, Lord, be glorified today By my words, Lord...
You are the reason that I'm singing all day long Everyday is the season to glorify You with a song (And so I'm singing)
In this song, Lord be glorified...
I can think of no other way I'd rather spend a day Than with my sisters and brothers all rejoicing in Your ways (And so we're singing) In Your church, Lord, be glorified...

When the song was completed, both Bob and Cindy realized the little song was a treasure. "It was pretty obvious," Kilpatrick recalls, "that it would help people express this basic prayer to the Lord. My wife encouraged me to sing it. I think she saw its potential before I did."
Kilpatrick performed it privately for his friend Karen Lafferty, author of "Seek Ye First," and for Jim Stipech, then worship leader at Calvary Chapel in Costa Mesa, California. Lafferty taught the song broadly in Europe while Stipech included it regularly in his praise services for two years. The song was eventually included on the Praise Three album from Maranatha! Music in 1978.
"Since then," Kilpatrick says, "I have sung the song behind the Iron Curtain, in the bustees of Calcutta and the slums of Central America. It has been recorded hundreds, perhaps thousands of times and appeared in print on many millions of pages around the world."
"It is still most fulfilling," he concludes, "when Cindy and I sing it as our prayer of consecration to the Lord."

Click here to listen to the song:
www.youtube.com/watch?v=G6--aVwK5fw

Click here to listen to the song:
www.youtube.com/watch?v=cz-xtWWUs3c

“Open Our Eyes, Lord”

Robert Cull (born 1949), a pastor with a traveling music ministry, wrote this text and tune in Hawaii during the summer of 1975, in order to reach some “close-hearted people.” After a half hour in prayer, he says, the song “fell into my head.” It has been translated and recorded in dozens of languages.

Click here to listen to the song:
www.youtube.com/watch?v=4XJu0mnn_b4

Click here to an instrumental arrangement:
www.youtube.com/watch?v=7mudAEAPuLk&feature=related

CONTEMPORARY SERVICE 11:00am

“Everyday”

Joel Timothy Houston (born September 19, 1979) is a song writer and worship leader at the Hillsong Church in Sydney, Australia. He is employed as the producer of Hillsong's youth band, Hillsong United. He is the oldest son of Hillsong Church's pastors Brian and Bobbie Houston and grandson of Frank Houston. He has two siblings, a brother Benjamin and a sister, Laura. Houston's first debut with the Hillsong United was in 2002. As part of Hillsong United music team, Houston has helped lead worship conferences in North America, South America, Africa, Europe and Asia. He has also contributed to the main Hillsong album recordings as well, which are led by worship pastor Darlene Zschech. Many of the songs he has written or co-written are sung in churches worldwide and have been translated into 32 languages, including Korean and German. His music has been featured on Hillsong albums that have quickly risen on both the Australian and American Christian music charts. In March 2007, Hillsong United's eighth album All of the Above debuted at #6 on the ARIA charts His song, "Everyday", is ranked number 49 on the CCLI top 100 songs.

Click here to worship along with the Hillsongs worship team:
www.youtube.com/watch?v=2RiDQmlC9uY

“You never let Go"

This powerful new song by Matt Redman has been described as follows from Christianity Today:"You Never Let Go" begins with a quiet piano and moody atmospherics that mirror far-from-ebullient lyrics based on Psalm 23: Even though I walk through the valley of the shadow of death/You're perfect love is casting out fear/And even when I'm caught in the middle of the storms of this life/I won't turn back, I know you are near…The chorus is a loud, exultant proclamation that God will never let go of us and in it Redman uses the minor-key construction to subtly (and maturely) declare that God's love is still valid, even in the midst of pain.

Click here to listen watch the video
www.youtube.com/watch?v=SIAdgLR1ZGw

Click here to read more about Matt Redman on his myspace - you can play the song directly from his stand-alone player and can buy the song from his website
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=120781688

Even though I walk through the valley of the shadow of death
Your perfect love is casting out fear
And even when I’m caught in the middle of the storms of this life
I won’t turn back I know You are nearAnd I will fear no evil
For my God is with me And if my God is with me Whom then shall I fear?
Whom then shall I fear? Oh no, You never let go
Through the calm and through the storm
Oh no, You never let go In every high and every low
Oh no, You never let go Lord, You never let go of me

"Mighty To Save"

This is another song from the Hillsong music ministry in Sydney Australia. This song is by Reuben Morgan & Ben Fielding. This song has a great re-occuring text. "OUR GOD IS MIGHT TO SAVE". This is taken from the passage in Zephaniah 3:1717 The LORD your God is with you, he is mighty to save. He will take great delight in you, he will quiet you with his love, he will rejoice over you with singing."

Click here to read more about Reuben Morgan http://en.wikipedia.org/wiki/Reuben_Morgan

Click here to worship along with the song: www.youtube.com/watch?v=tXCAhKDZRlo

Click here to worship along with the song:
www.youtube.com/watch?v=sR8rlTIU8_Y

Behind the Praise - Sunday May 24, 2009

BLENDED 9:30am

“All Hail the Power of Jesus Name”

Some years ago, missionary E. P. Scott went to India. He set out to visit a remote mountain tribe which had never heard the name of Christ. As he neared their land, he was suddenly surrounded by a savage band of warriors, all pointing their spears straight at his heart. Expecting a quick death, the missionary pulled out his violin and began playing and singing in their native language the hymn "All hail the power of Jesus' name." He reached the stanza that reads:
Let every tribe and every tongueOn this terrestrial ball To him all majesty ascribe And crown him Lord of all...
The natives lowered their weapons and some were in tears. E. P. Scott spent the rest of his life ministering to these primitive people.
The hymn which so effectively moved this Indian tribe is often referred to as the "National Anthem of Christendom" and has been translated into almost every language where there are Christians. The author of the hymn, Edward Perronet was the descendent of a French Huguenot family which fled first to Switzerland and then to England to escape religious persecution. Perronet was a pastor who worked closely with John and Charles Wesley for many years in England's eighteenth- century revival.
At that time, Methodists were savagely persecuted. According to John Wesley's diary, Edward did not escape his share of abuse either. "Edward Perronet was thrown down and rolled in mud and mire" at Bolton, he wrote.
Edward was uneasy about preaching in front of John Wesley. Wesley urged him to do so several times. Finally, Wesley forced the issue. He announced that Brother Perronet would speak the following week. A week later, witty Edward mounted the pulpit and declared he would deliver the greatest sermon ever preached. He then read Christ's "Sermon on the Mount" and sat down!

Click here to hear an organ arrangement of the song:
www.youtube.com/watch?v=d54CqTpLW9E

Click here to sing along with Avalon:
www.youtube.com/watch?v=ucF_C7rYe58

"Blessed Be Your Name"

This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this
"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"

Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3

Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI

Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=

"Come Thou Fount"

Robert Robinson, following the tradition of ministers of the time, wrote "Come, Thou Fount of Every Blessing" as a hymn-poem for the conclusion of his sermon for Whitsunday, 1758. He was 23 years old at the time. It was published the following year in A Collection of Hymns used by the Church of Christ in Angel Alley, Bishopsgate (1759). There has been some speculation that it was written by the Countess of Huntingdon, but it is generally agreed to be the work of Robinson.

Originally "Come, Thou Fount of Every Blessing" had four stanzas. The fourth stanza was omitted by Martin Madan in Psalms and Hymns, 1860 and has not been used since. The statement in stanza two, "Here I raise my Ebenezer" refers to I Samuel 7:12, "Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, "Thus far the LORD has helped us." Ebenezer is the Hebrew for "Stone of Help." Israel had suffered defeat because of its sin. But the people had repented of their sin, God had helped them and they were victorious. Samuel placed the stone to remind Israel that God had them, their victory was because of Him.
In stanza three, Robinson speaks of being "prone to wonder, prone to leave the God I love". This seems to be a forecast of his later life, when he lapsed into sin, unstableness and involvement with Unitarianism. There is a well-known story of Robinson, riding a stagecoach with a lady who was deeply engrossed in a hymnbook. Seeking to encourage him, she asked him what he thought of the hymn she was humming. Robinson burst into tears and said, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."

Click here to watch and sing along with the Gateway church version
www.youtube.com/watch?v=1BFNvhbuNg4&mode=related&search=

If you like more of a traditional arrangement check out this choir arrangement here:
www.youtube.com/watch?v=mUhU0HgTq94&mode=related&search=

“Be Thou My Vision”

The text (Rop tú mo baile) is often attributed to Dallan Forgaill in the 8th century; in any case, this text had been a part of Irish monastic tradition for centuries before the hymn itself was written. It was translated from Old Irish into English by Mary E. Byrne in “Eriú," Journal of the School of Irish Learning, in 1905. The English text was first versified by Eleanor H. Hull in 1912, and this version of the lyrics is the most common. However, slight variations of these lyrics are sometimes seen. The first verse of Hull's version follows:

Be Thou my Vision, O Lord of my heart;
Naught be all else to me, save that Thou art
Thou my best Thought, by day or by night,
Waking or sleeping, Thy presence my light.

Thus, the English translation of the hymn itself is fairly recent and the Elizabethan vocabulary and structure is somewhat an anachronism. Be Thou My Vision has become the quintessential Irish hymn in English-speaking churches and is often sung around St. Patrick's Day. Despite its traditional nature and the seemingly archaic quality of the text, Be Thou My Vision has become a popular song performed by Contemporary Christian musicians, such as Rebecca St. James and Ginny Owens.
Click here to read about the origin of the hymn:
http://en.wikipedia.org/wiki/Be_Thou_My_Vision

Click here to listen to Rebecca St. James version
www.youtube.com/watch?v=5XZ3ja-quhA

CONTEMPORARY 11:00Am

"Blessed Be Your Name"

This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"

Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3

Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI

Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=

"Not To Us"

One of the premier songwriters of today, Chris Tomlin is shaping the language of worship for generations present and future. And yet his gifts are rooted in one central truth, that God is the center of everything.Even as a small town Texan boy pounding out new tunes with his rag-tag garage band, Chris Tomlin had been blessed with a passion for purpose. He wanted to be more than just another guy with a song. As he grew, he became even more aware of the fact that everything-what we do, who we are-exists only for God's glory. Tomlin's sophomore studio project, NOT TO US, is an organic, edgy pop blend of his most compelling lyrics to date, the longest and most rewarding mile in his passionate pursuit of real life. NOT TO US is not just another worship album; it's a soundtrack for all of life. "God is a mystery beyond our comprehension," says Tomlin, whose most recent work includes WoW Worship and Passion: Our Love is Loud. "We can't figure God out. He won't be boxed in. He's bigger than all our questions and bigger than our answers. And when our lives become aligned with Him, we see life in a different light, hearts are restored and people are healed."

Lyrics:
the cross before me the world behind
no turning backraise the banner highi
t's not for me it's all for YOUlet the heavens shake and split the sky
let the people clap their hands and cry
it's not for us it's all for YOU
not to us but to YOUR name be the glory
not to us but to YOUR name be the glory

Click here to listen to Chris share more about how he wrote the song:
www.youtube.com/watch?v=4zt9K5rLHVk

Click here to listen to the song:
www.youtube.com/watch?v=WFlwKpQmmFQ

“How Great Thou Art”

The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.

How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.

Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=

“Agnus Dei”

Michael Whitaker Smith has become one of the most enduringly popular artists on the Christian Contemporary Music front and is also finding considerable success as a mainstream artist. He was born in Kenova, West Virginia, the son of an oil refinery worker and a caterer. He became a devout Christian at age ten and spent his teens hanging around with a solid support group of fellow believers who frequently gathered to play and make music. After high school, that support group split up, and Smith turned to alcohol, drugs and wild times. He scraped through a couple semesters of college and began honing his songwriting skills. In 1978, a songwriting company expressed interest in his songwriting, and he moved to Nashville, where he played with local bands, including Rose. He was still heavily into drugs and continued using until October 1979, when he suffered a sort of emotional mental breakdown that culminated in recommitting to Christ. The next day he auditioned for a new CCM group, Higher Ground, as a keyboardist. While touring with them, Smith cleaned up his act. In 1981, he signed to Meadowgreen Music as a staff writer, where over the next few years he provided gospel hits for such artists as Sandi Patti, Kathy Troccoli, Bill Gaither and Amy Grant. He began touring as a keyboardist with Grant in 1982 and the following year, after releasing his first album, The Michael W. Smith Project, became her opening act. His debut album garnered him a Grammy nomination for Best Gospel Performance.Agnus Dei is a Latin term meaning Lamb of God, and was originally used to refer to Jesus Christ in his role of the perfect sacrificial offering that atones for the sins of humanity in Christian theology, harkening back to ancient Jewish Temple sacrifices.

Click here to worship along with Michael W. Smith and a fantastic boy’s choir:
www.youtube.com/watch?v=eTWFYRA2j74&feature=related

Click here to worship along with Third Day:
www.youtube.com/watch?v=mbKXJ1Jm_jg

Behind the Praise - Sunday May 17, 2009

“He lives”

“Why should I worship a dead Jew?” This challenging question was posed by a sincere young Jewish student who had been attending evangelistic meetings conducted by the author and composer of this hymn, Alfred H. Ackley. In his book, Forty Gospel Hymn Stories, George W. Sanville records Mr. Ackley’s answer to this searching question, which ultimately prompted the writing of this popular gospel hymn:
“He lives! I tell you, He is not dead, but lives here and now! Jesus Christ is more alive today than ever before. I can prove it by my own experience, as well as the testimony of thousands.”

I serve a risen Saviour,He's in the world today;I know that He is living,
Whatever men may say;I see His hand of mercy,I hear His voice of cheer,
And just the time I need Him


He's always near.He lives,
He lives, Christ Jesus lives today! He walks with me and He talks with me
Along life's narrow way.
He lives, He lives, salvation to impart!You ask me how I know He lives:
He lives within my heart.

Click here for a piano arrangement:
/www.youtube.com/watch?v=SUKhNsLPExA

Click here for another recording:
www.hymnal.net/hymn.php?t=h&n=503

"Seek Ye First"

This song was written by Karen Lafferty. She wrote the following on how the song came about. It was back in 1971. I had quit my entertainment job and was trying to support myself with teaching guitar lessons. I had three students! When my savings were all gone and I had no money to make my car payments, I became very discouraged and confused.
One evening I went to a Bible study at church, and we talked about Matthew 6:33.1 was tremendously encouraged and challenged by the words about Christ's kingdom. So I went home, wrote the tune, recorded it on a tape recorder, and then sang this little descant part.
I taught the song at church the next week, and it caught on right away. The Lord really paved the way for me with that song. "Seek Ye First" has opened doors for me all over the world. And because it's in so many hymnbooks, about 40 percent of my mission support comes from that song!

Click here to learn more about Karen:
www.reformedworship.org/magazine/article.cfm?article_id=263

Click here to listen to the song:
www.youtube.com/watch?v=xbAtSP-CFQg

"Give us Clean hands"

Charlie Hall wrote this song as a prayer for his generation in 1994. He said he wanted to be a part of the generation that was sold out to seeking God with their whole hearts. When he wrote the song he sensed his generation huddling and praying this prayer, "Oh God let us be the generation that seeks your face Oh, God of Jacob."

Charlie was struck by though that the generation that seeks after him will find him, they will ascend the hill of the Lord. He started praying this scripture and then he says the song just came forth.
The song is based on Psalm 24:3-63 Who may ascend the hill of the LORD ?Who may stand in his holy place?4 He who has clean hands and a pure heart, who does not lift up his soul to an idol or swear by what is false.5 He will receive blessing from the LORD and vindication from God his Savior.6 Such is the generation of those who seek him, who seek your face, O God of Jacob.

Click here to listen to how Charlie Hall wrote this song:
www.youtube.com/watch?v=8hkQS8A8FiY

Click here to listen to the song:
www.youtube.com/watch?v=pl5zSB3A-Z8

Click here to visit Charlie’s myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=60771694

Click here to learn more about Charlie Hall:
http://www.charliehall.com/

Click here to worship along with Charlie Hall
www.youtube.com/watch?v=onGbkeWkA64

"Jesus is Alive"

Young. Seasoned. Black. White. Yellow. Ties. Dresses. Jeans. T-shirts. Gray hair. Spiked hair. No hair! These are just a few of the words that describe the people before the throne of the One True God as Travis Cottrell leads them into worship. Having a heart for unity among God’s people, Travis can be likened to a bridge, crossing the boundaries crossing the boundaries of denominations and filling in the gaps that separate the Body of Christ from one another. “God has given Travis what I believe is a gift of favor with audiences and congregations,” says author and speaker Beth Moore. “His approach permeates every denominational wall. His warm yet powerful style engages even the most resistant group into irresistible worship.

Click here to learn more about Travis' ministry:
www.traviscottrell.com/

Click here for a sampling of this powerful song by Travis Cottrell:
www.halleonard.com/closerLook/75716047/JesusIsAlive.mp3

CONTEMPORARY 11:00AM

"Here is our King"

This worship song was written by David Crowder in response the Tsunami on December 24, 2004. David and his wife were watching the images of devastation preparing to attend the Passion meeting in Nashville later that month. David was having trouble processing the level of devestation. He remembered telling his wife that 9-11 made more sense, as we are used to humanity doing something to each other. Historically we've done unkind things to each to each other and all we have to do is turn on the news. David knew how to process that devestation, but to be able to see such devestation unfold before his eyes was a new process for him. He struggeld with how to look at that and still say "God is Good". This song was David's response to God in the face of such a tragedy.From wherever spring arrives to heal the ground From wherever searching comes the look itself A trace of what we’re looking for So be quiet now and wait The ocean is growing the tide is coming in Here it is Here is our king, here is our love here is our God who’s come to bring us back to him He is the one, he is Jesus, Jesus

Click here to worship along with David Crowder: www.youtube.com/watch?v=n6Fl_nqGJc0

Click here to listen to David share about how the song came about: www.youtube.com/watch?v=Aea5Mq4sSUA

“How can I keep from Singing”

There is an endless song echoes in my soul I hear the music ring and though the storms may come I am holding on to the rock I cling

How can I keep from singing Your praise How can I ever say enough How amazing is Your love How can I keep from shouting Your name I know I am loved by the King And it makes my heart want to sing

Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo

Click here to worship along with Chris: www.youtube.com/watch?v=tQI5wxtH6OY&feature=related

“Here I Am to Worship”

If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered. "I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!" Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition. "I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'" Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own. It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."

Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3

Click here to worship along with Michael W. Smith: www.youtube.com/watch?v=Q_kAjok4-Uk

Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/

"Beautiful"

I see Your face in every sunrise The colors of the morning are inside Your eyes The world awakens in the light of the dayI look up to the sky and say You’re beautiful I see Your power in the moonlit night Where planets are in motion and galaxies are bright We are amazed in the light of the stars It’s all proclaiming who You are You’re beautiful, You're beautiful I see you there hanging on a tree You bled and then you died and then you rose again for me Now you are sitting on Your heavenly throne Soon we will be coming home You’re beautiful, you're beautiful When we arrive at eternity’s shore Where death is just a memory and tears are no more We’ll enter in as the wedding bells ring Your bride will come together and we’ll sing You’re beautiful, You're beautiful, You're beautiful I see Your face, You're beautiful, You're beautiful, You're beautifulI see Your face, You're beautiful, You're beautiful, You're beautifulI see Your face, I see Your face I see Your face, You’re beautiful, You’re beautiful, You’re beautiful

This song was written by Phil Wickham. In a world where swagger usually triumphs over substance, it’s refreshing when a young singer/songwriter arrives on the scene with something to say. With the multi-faceted sound of a much older soul and shimmering melodies that match the intensity of his heartfelt lyrics, 21-year-old Phil Wickham’s self-titled debut can’t help but stand out in a crowd of cookie-cutter pop and angst-fueled rock. And it’s his personal journey of faith expressed in the songs that really makes the difference.Even though singer/songwriter Phil Wickham grew up in a devout Christian home, there came a point early in his life when he knew his faith needed to become his own. He no longer wanted to coast on his parents’ coattails or go to church simply because that’s what he was supposed to do. He wanted something real, that personal friendship with Jesus. And that crucial realization, combined with moving to a new city while he was in junior high, paved the way for Phil to pick up a guitar and start writing songs about his growing faith.

Click here to worship along with Phil: www.youtube.com/watch?v=Zg4cYdP1ngw

"Jesus is Alive"

Young. Seasoned. Black. White. Yellow. Ties. Dresses. Jeans. T-shirts. Gray hair. Spiked hair. No hair! These are just a few of the words that describe the people before the throne of the One True God as Travis Cottrell leads them into worship. Having a heart for unity among God’s people, Travis can be likened to a bridge, crossing the boundaries crossing the boundaries of denominations and filling in the gaps that separate the Body of Christ from one another. “God has given Travis what I believe is a gift of favor with audiences and congregations,” says author and speaker Beth Moore. “His approach permeates every denominational wall. His warm yet powerful style engages even the most resistant group into irresistible worship.

Click here to learn more about Travis' ministry: www.traviscottrell.com/

Click here for a sampling of this powerful song by Travis Cottrell: www.halleonard.com/closerLook/75716047/JesusIsAlive.mp3

THIRD SERVICE 6PM

"Great and Mighty"

Hold my heart, O God, keep me ever in Your will There is joy within Your presence here and now But better will is the the day that is to comeWhen Your full glory is revealed I have long endured the trials of the age

But I will sayYou are great and mighty God Robed in majesty You set us apart, You set us free When You captured out hearts You are great and mighty So in You I will rejoice, make my life an offering I'm enraptured by the mercies of my King And I will sing I will sing Your praise, I will sing Your praise O name above all names I will count the days until I see Your face I will evermore proclaim

Click here to learn more about Caedmans' Call: www.caedmonscall.com/

Click here to worship along with Caedmans' Call: www.rhapsody.com/caedmons-call/great-and-mighty

"Grace"

Phil Wickham's music has been called every flowery adjective in the thesaurus and some that may have even been made up. And while they are often accurate descriptors they are at the same time distracting. When hearing these buzz words it's too easy to lump an artist into a meaningless equation consisting of two musical references, a vague genre title and a classic predecessor. Welcome to missing the point. The point is that Wickham is at his core a humble and sincere artist who writes songs and worships God using the medium of music. It is with that brush that he paints images of a loving and creative God across the canvases of listeners' hearts and minds.

Click here to read Phils' biography: www.sweetslyrics.com/bio-Phil%20Wickham.html

Click here to listen to the song "Grace" www.youtube.com/watch?v=vemzS9SlqeA

Click here for a live version: www.youtube.com/watch?v=lgrNijfWamk&feature=related

"Lead me to the Cross"

Savior I come Quiet my soul remember Redemptions hill Where Your blood was spilled For my ransom Everything I once held dear I count it all as lost Lead me to the cross Where Your love poured out Bring me to my knees Lord I lay me down Rid me of myself I belong to You Lead me, lead me to the cross You were as I Tempted and trialed You are The word became flesh Bore my sin and death Now you're risen To your heart To your heart Lead me to your heart Lead me to your heart Brooke Fraser was born in New Zealand. She is on of the main key worshippers of Sydney Australia's Hillsong Church and is married to on of Hillsong United's songwritters Scott Ligertwood. She has appeared on many live worship albums. She is a born again Christian. She was born to former 'All Black' Bernie Fraser and Lynda Fraser and is the oldest out of 3 children

Click here to learn more about Brooke Fraser: www.brookefraser.com/

Click here to listen online: www.imeem.com/people/riK9nJK/music/Mj1XCeWj/hillsong_united_lead_me_to_the_cross/

Click here to worship along on the song:
http://www.youtube.com/watch?v=QcvMQOZkusQ

“The Wonderful Cross”

The original song was written by Isaac Watts, the new chorus was written by Chris Tomlin. Isaac was born in 1674 and Chris was born in 1972. Even though they are separated by three hundred years, there is no separation between their passion and commitment to leading God's people in worship. WOW! The past meets the present.

Click here to hear Chris Tomlin talk about how this new arrangement came about. www.theheartofworship.org/stories/Story-306-TheWonderfulCross-Tomlin.mp3

Click here to learn more about Chris Tomlin www.christomlin.com/

You can listen to more of Chris Tomlins' music on his myspace website. http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=94631118

Isaac Watts (July 17, 1674 – November 25, 1748) is recognized as the "Father of English Hymnody", as he was the first prolific and popular English hymnwriter, credited with some 750 hymns. Many of his hymns remain in active use today and have been translated into many languages.

Click here to read more about Isaac Watts. http://en.wikipedia.org/wiki/Isaac_Watts

This is an interesting read on Isaac Watts. www.cyberhymnal.org/bio/w/a/t/watts_i.htm

Isaac is best known for his emphasizing the role of music in worship, where the congregation actually began to sing with the choir. Watts became the congregation's pastor in 1702. Just five feet tall, he was an unprepossessing figure in the pulpit. Health problems continued to plague him, and an assistant had to be appointed to fill in for him after a severe bout with illness in 1703. Despite these problems, Watts was a powerful preacher. The Mark Lane congregation outgrew its quarters and twice had to move to larger facilities, and Watts' sermons began to be collected and printed. Part of his success was due to his emphasis on the role of music in worship. A minister, he felt, should not only write sermons but should seek to involve his congregation in worship through music.

"Beauty of Your Peace"

Tim Hughes wrote the following about how he wrote the song:
I love the old hymns. So much poetry and theology contained within such haunting melodies. A while back I was reading through an old hymnbook when I came across these words from the hymn 'Dear Lord and Father of Mankind.'Take from our souls the strain and stressAnd let our ordered lives confessThe beauty of Your peaceWe live busy lives. Everything is fast paced. We get hugely frustrated if we have to wait for anything. On top of this we live under enormous amounts of stress. It seems that whenever I ask someone how he or she is doing the response is - 'Life is very hectic and busy at the moment.' Busy jobs, demanding hours and high expectations placed upon us are leaving many struggling to cope with life. In the UK, like many other nations around the world, depression is soaring. The number of prescriptions for anti-depressants has risen from 12 million in 1991 to 24 million a decade later. Many of us aren't coping. However in the midst of the turmoil, there's a voice that can still the raging storm.

Click here to learn more about Tim Hughes: www.timhughesmusic.com/

Click here to worship along with Tim Hughes: www.youtube.com/watch?v=FRJEBC-rCtc

Click here to listen online: www.last.fm/music/Tim+Hughes/_/Beauty+of+Your+Peace

Behind the Praise - Sunday May 10, 2009

“Joyful, Joyful”

But the fruit of the Spirit is love, JOY…

This hymn is generally considered by hymnologist to be one of the most joyous expressions of hymn lyrics in the English language. Its author, Henry van Dyke, was recognized as one of the ablest Presbyterian preachers and leading liturgy figures in the United States. He also served as professor of literature at Princeton University from 1900-1923. He also served as a Navy chaplain during World War I. Van Dyke wrote this hymn while stay­ing at the home of Har­ry A. Gar­field at Wil­liams Col­lege, Mass­a­chu­setts. It was first pub­lished in the Pres­by­ter­i­an Hymn­al in 1911. It al­so ap­peared in the Po­ems of Hen­ry van Dyke, 1911. He stated his purpose in writing it as follows:

These vers­es are sim­ple ex­press­ions of com­mon Christ­ian feel­ings and de­sires in this pre­sent time—hymns of to­day that may be sung to­ge­ther by peo­ple who know the thought of the age, and are not afraid that any truth of sci­ence will de­stroy re­li­gion, or any re­vo­lu­tion on earth over­throw the king­dom of hea­ven. There­fore this is a hymn of trust and joy and hope.

The tune for the hymn is “Ode to Joy” by Beethoven for more information on Beethoven go here http://en.wikipedia.org/wiki/Ludwig_van_Beethoven

Click here to listen to a piano arrangement:
www.youtube.com/watch?v=Tl8VKu-t3yE

Click here to hear a hammered dulcimer version:
www.youtube.com/watch?v=3VGhhxzP364

Click here to listen to a contemporary arrangement of the song popularized in the movie “Sister Act”. www.youtube.com/watch?v=BDxHgF66lvA&feature=related


Click here to hear it played by a street vendor on wine glasses:
www.youtube.com/watch?v=Rlk59xdM_YY&feature=related

Click here for an orchestral arrangement of the song:
www.youtube.com/watch?v=Wod-MudLNPA&feature=related


“How can I keep from Singing”

There is an endless song echoes in my soulI hear the music ring and though the storms may comeI am holding on to the rock I clingHow can I keep from singing Your praiseHow can I ever say enoughHow amazing is Your loveHow can I keep from shouting Your nameI know I am loved by the KingAnd it makes my heart want to sing Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.

Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo

Click here to worship along with Chris:
www.youtube.com/watch?v=tQI5wxtH6OY&feature=related

“Indescribable” presented by the worship choir

On June 14, 2007, Tomlin's recording of the song "Indescribable" was used as the official wake-up call for Mission Specialist Patrick Forrester on Space Shuttle mission STS-117. What an incredible

This song is all about how great our God is. The artist of this song is Chris Tomlin and originally written by Laura Story. Laura Story holds the CCLI copyright of this song.

Like the twists and turns of a mountain road, Laura Story’s life has held its share of unexpected moments – some exhilarating, some terrifying, and some simply beautiful to behold. Leaning solely on her faith in the sovereignty of God, Story has learned that no matter what comes around the next bend it’s going to be an incredible view.

Once an aspiring symphony conductor, Story didn’t even know she could sing – much less write songs – until she was in her early twenties. Today, Story is not only a gifted vocalist and worship leader but also the composer of one of the most beloved worship songs of our generation – “Indescribable”. The song has topped the charts and been recorded by multiple artists.


Click here to worship along with Chris:
www.youtube.com/watch?v=7PTvr755V8s

Click here for a moving DVD with the song:
www.youtube.com/watch?v=VmTxZAl7ceU


11:00AM CONTEMPORARY SERVICE

“All to You”

This worship song was written by Lincoln Brewster. Brewster has been musically inclined since his early childhood in Homer, Alaska. At the age of one, his mother, Cheryl, noticed how well he could keep rhythm on a drum set his grandfather had given him. At the age of five, his mother introduced him to the mandolin. Quickly mastering the instrument, he began playing for cruise ship tourists alongside his mother in Homer, Alaska.
By the age of 12, Brewster had a band called Lincoln and the Missing Links, which included his mother on bass and vocals. In his late teens, he moved with his family to California where he joined the high school jazz band (playing guitar and drums) and marching band (playing snare drum).
Due to connections gained in Los Angeles, he had recording contract offers by 19. Feeling emptiness in his life, Brewster attended church services with his high school sweetheart and Christian, Laura. He recalls feeling God drawing him close after attending a drama ministry performance with Laura.

"I was afraid to lay down a lot of things in my life," Lincoln said. "One night, I laid all my cards on the table. I asked the Lord to come into my life, all by myself. It was the best night of sleep I'd ever had. I was very peaceful.

Click here to listen to the song online: http://play.rhapsody.com/lincolnbrewster/letthepraisesringthebestoflincolnbrewster/alltoyou?didAutoplayBounce=true

Click here to read more about Lincoln:
http://en.wikipedia.org/wiki/Lincoln_Brewster

Click here to play Lincolns’ songs on his myspace – the songs are available on his standalone player, you can also listen to “Everlasting” and “Let the Praises Ring”
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=83285546

Click here to listen to Lincoln share about his journey and how a 70 year-old woman encouraged him during a time of worship;
www.youtube.com/watch?v=oJPh1asdTsw

“Holy is the Lord”

Chris Tomlin wrote this song after meditating on Isaiah 6. He was intrigued by the passage where the angels called to one another. The phrase “Holy is the Lord and the earth is filled with his glory” kept ringing in his mind. He met up with Louie Giglio who had been meditating on the passage in Nehemiah where after Israel rebuilt the wall they built a wooden tower and opened the word of the lord. When this happened the people stood and lifted their hands then also bowed down. Louie was struck by the picture in his mind and wrote the following phrase in his journal:

“It’s rising up all around, it’s the anthem of the Lord’s renown”

Click here to listen to Chris & Louie Giglio talk about how the song came about:
www.youtube.com/watch?v=Nv6hSdbfo2E

Click here to worship and sing-along
www.youtube.com/watch?v=HSKN5PX_3a0&feature=related

Click here to worship along with Chris Tomlin
www.youtube.com/watch?v=3X4CwGGJQMI

"Beautiful"

I see Your face in every sunrise The colors of the morning are inside Your eyes The world awakens in the light of the dayI look up to the sky and say You’re beautiful I see Your power in the moonlit night Where planets are in motion and galaxies are bright We are amazed in the light of the stars It’s all proclaiming who You are You’re beautiful, You're beautiful I see you there hanging on a tree You bled and then you died and then you rose again for me Now you are sitting on Your heavenly throne Soon we will be coming home You’re beautiful, you're beautiful When we arrive at eternity’s shore Where death is just a memory and tears are no more We’ll enter in as the wedding bells ring Your bride will come together and we’ll sing

You’re beautiful, You're beautiful, You're beautiful I see Your face, You're beautiful, You're beautiful, You're beautifulI see Your face, You're beautiful, You're beautiful, You're beautifulI see Your face, I see Your faceI see Your face, You’re beautiful, You’re beautiful, You’re beautiful

This song was written by Phil Wickham. In a world where swagger usually triumphs over substance, it’s refreshing when a young singer/songwriter arrives on the scene with something to say. With the multi-faceted sound of a much older soul and shimmering melodies that match the intensity of his heartfelt lyrics, 21-year-old Phil Wickham’s self-titled debut can’t help but stand out in a crowd of cookie-cutter pop and angst-fueled rock. And it’s his personal journey of faith expressed in the songs that really makes the difference.Even though singer/songwriter Phil Wickham grew up in a devout Christian home, there came a point early in his life when he knew his faith needed to become his own. He no longer wanted to coast on his parents’ coattails or go to church simply because that’s what he was supposed to do. He wanted something real, that personal friendship with Jesus. And that crucial realization, combined with moving to a new city while he was in junior high, paved the way for Phil to pick up a guitar and start writing songs about his growing faith.

Click here to worship along with Phil:
www.youtube.com/watch?v=Zg4cYdP1ngw

"My Jesus, I love Thee"

Sixteen year old William Featherston of Montreal, Canada wrote this simple but profound hymn in 1862, not long after he was converted to Christ. William wrote no other hymns that we know of and his brief life ended just before his twenty-seventh birthday. Here is a story about the influence of this song: A Protestant Episcopal Bi­shop of Mi­chi­gan once re­lat­ed the fol­low­ing in­ci­dent to a large au­di­ence in one of the Rev. E. P. Ham­mond’s meet­ings in St. Lou­is. “A young, tal­ent­ed and ten­der-heart­ed ac­tress was pass­ing along the street of a large ci­ty. See­ing a pale, sick girl ly­ing up­on a couch just with­in the half-open door of a beau­ti­ful dwell­ing, she en­tered, with the thought that by her vi­va­ci­ty and plea­sant con­ver­sa­tion she might cheer the young in­va­lid. The sick girl was a de­vot­ed Christ­ian, and her words, her pa­tience, her sub­mis­sion and hea­ven-lit coun­te­nance, so dem­on­strat­ed the spir­it of her re­li­gion that the ac­tress was led to give some ear­nest thought to the claims of Christ­i­an­i­ty, and was tho­rough­ly con­vert­ed, and be­came a true fol­low­er of Christ. She told her fa­ther, the lead­er of the the­a­ter troupe, of her con­ver­sion, and of her de­sire to aban­don the stage, stat­ing that she could not live a con­sis­tent Christ­ian life and fol­low the life of an ac­tress. Her fa­ther was as­ton­ished be­yond mea­sure, and told his daugh­ter that their liv­ing would be lost to them and their bu­si­ness ru­ined, if she per­sist­ed in her re­so­lu­tion. Lov­ing her fa­ther dear­ly, she was shak­en some­what in her pur­pose, and par­tial­ly con­sent­ed to fill the pub­lished en­gage­ment to be met in a few days. She was the star of the troupe, and a gen­er­al fa­vo­rite. Ev­ery prep­a­ra­tion was made for the play in which she was to ap­pear. The ev­en­ing came and the fa­ther re­joiced that he had won back his daugh­ter, and that their liv­ing was not to be lost. The hour ar­rived; a large au­di­ence had as­sem­bled. The cur­tain rose, and the young ac­tress stepped for­ward firm­ly amid the ap­plause of the mul­ti­tude. But an un­wont­ed light beamed from her beau­ti­ful face. Amid the breath­less si­lence of the au­di­ence, she re­peat­ed:

‘My Jesus, I love Thee, I know Thou art mine; For Thee all the follies of sin I resign; My gracious Redeemer, my Saviour art Thou; If ever I loved Thee, my Jesus, ’tis now.’

This was all. Through Christ she had con­quered and, leav­ing the au­di­ence in tears, she re­tired from the stage, ne­ver to ap­pear up­on it again. Through her in­flu­ence her fa­ther was con­vert­ed, and through their unit­ed evan­gel­is­tic la­bors ma­ny were led to God.”


Worship along with Crystal Lewis by clicking here:
www.youtube.com/watch?v=pgjkl_Nv1Yg&feature=related


Click here for another arrangement:
www.youtube.com/watch?v=EYfBZnMve_E

THIRD SERVICE 6PM

"We Delight"

This worship song was written by Joshua Moore, keyboard player for the group Caedman's call.The band's unusual name was inspired by Cædmon, an Anglo-Saxon cowherd who lived during the 7th century. Legend has it that Caedmon was afraid to sing in public due to a lack of musical talent, and shied away from occasions where he had to sing. After leaving a feast one night because he was too embarrassed to sing, he lay down in the pasture with the cattle to sleep. An angel appeared to him in a dream, calling him to sing. After refusing, he eventually decided to sing and when he did, he sang beautiful verses that had never been heard before, based on the story of creation and using the style of pre-Christian, Anglo-Saxon poetry. Many songwriters tried in vain to write songs as good as or better than Caedmon's, but could not because Caedmon's songs came from God. Founding band members Cliff, Danielle, and Aaron decided on the name "Caedmon's Call" after all three heard this story during the same week and thought it was fitting.

Click here to listen online:
http://www.last.fm/music/Caedmon

Click here to worship along:
www.youtube.com/watch?v=yEtYb_XDqjY


"All Creatures of our God and King"

Take a moment to quiet yourself. Read this hymn slowly, prayerfully. If you sense the presence of God, stop, and rest in his presence. If a picture, or memory comes to mind that seems to be from God, stop, let the picture, or memory go and just rest in God's presence. How does this touch your life? Listen. Be thankful for what God has given.

All creatures of our God and King, Lift up your voice and with us sing,
Alleluia! Alleluia!
Thou burning sun with golden beam, Thou silver moon with softer gleam!
O praise Him, O praise Him!Alleluia! Alleluia! Allelu-u-ia!

Thou rushing wind that art so strong,Ye clouds that sail in heav'n along,
O praise Him! Alleluia!
Thou rising morn, in praise rejoice,Ye lights of evening, find a voice!
O praise Him, O praise Him!Alleluia! Alleluia! Alleluia!

And all ye men of tender heart,Forgiving others, take your part,
O sing ye! Alleluia!
Ye who long pain and sorrow bear, Praise God and on Him cast your care!
O praise Him, O praise Him!Alleluia! Alleluia! Alleluia!

Let all things their Creator bless,And worship Him in humbleness,O praise Him! Alleluia!
Praise, praise the Father, praise the Son, And praise the Spirit, Three in One!

O praise Him, O praise Him!Alleluia! Alleluia! Alleluia!

Click here to read the text
www.oremus.org/hymnal/a/a100.html

Click here to learn more about the David Crowder Band:
www.davidcrowderband.com/

Click here for David Crowders' arrangement:
www.youtube.com/watch?v=cObXwn-EgGY


"Nothing but the Blood"

Paul, under the inspiration of the Holy Spirit, would write these words, "Whom God hath set forth to be a propitiation through faith in his blood, to declare his righteousness for the remission of sins that are past, through the forbearance of God." (Romans 3:25) The emphasis of this verse is on the shed blood that satisfies or propitiates our sin debt. Another way of saying the same thing is, "What can wash away our sin? Nothing but the blood of Jesus." More than likely it was this verse or one like it, dealing with the subject of blood, which caused Pastor Robert Lowry to write a hymn.
Born in Philadelphia, on March 12, 1826, young Robert accepted Christ as his personal Savior at the age of 17 and later graduated from Bucknell University with high scholastic honors. In the 73 years of his life here on earth, he pastored churches in Philadelphia, New Jersey, New York City and Brooklyn. Along with his preaching, Dr. Lowry also had the gift of music in the writing of hymns. When asked about his method for writing songs, he would answer by saying:
I have no set method. Sometimes, the music comes and the words follow…. I watch my moods, and when anything strikes me, whether words or music, no matter where I am, at home or on the street, I jot it down…. My brain is sort of a spinning machine, for there is music running through it all the time. The tunes of nearly all the hymns I have written have been completed on paper, before I tried them on the organ. Frequently, the words of the hymn and the music have been written at the same time.
He supplied the music for such familiar hymns as We’re Marching to Zion, Savior, Thy Dying Love, Where Is my Wandering Boy Tonight, I Need Thee Every Hour and Fanny Crosby’s song, All the Way my Savior Leads Me. The words and music would come together in 1864 to produce Shall We Gather at the River. Then, in the Easter season of 1874, Christ Arose would flow from his pen and his heart. Finally, in 1876, Pastor Lowry would give us the answer to our sin debt in his song, Nothing but the Blood.
Down through the ages, man has tried to work off his sin debt in good works and religion—only to fail. The Bible says, "Without the shedding of blood, there is no forgiveness." (Hebrews 9:22) Robert Lowry understood this very well:


Oh! Precious is the flow That makes me white as snow
No other fount I know, Nothing but the blood of Jesus.

Click here to sing along with the song:
www.youtube.com/watch?v=pxDHamIhF7o

Click here for an organ arrangement:
www.youtube.com/watch?v=QvNNFPBkEsw

"Jesus Paid it All"

The following is from Alex Nifong who wrote the additional chorus:

I have an old hymnal that I frequently play through sometimes during my private times alone with the Lord. I was playing through that song one day in Jan of 05 and I just started praying and singing out the phrase O praise the One who paid my debt and raised this life up from the dead. It was as simple as that. Just a prayer that came right out of my heart. This is a new arrangement of the old hymn, based on the recording from the Passion album "Everything glorious". It adds a new line "O praise the One who paid my debt and raised this life up from the dead".

Check out the composer of the tag on his website
www.alexnifong.com/

Here’s a story about the song:The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?"The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here to worship along
www.youtube.com/watch?v=onxhvivQYfI

Click here to worship along with a younger generation led by Kristian Stanfill:
www.youtube.com/watch?v=i-OOjfaBGnA&mode=related&search=

You can go here to Kristians' myspace and click on the song just to listen
www.myspace.com/kristianstanfill

WOW - here it is in Spanish
www.youtube.com/watch?v=zRRBtWP_buA

“Only You”

David Crowder wrote the song based upon a conversation he had with a friend. His friend was talking about how you can be eating dinner with a large group, but if your spouse is in the group you can catch her eye at the same time you are with other and there can be a moment when even in a crowd you are caught up together in that moment. There is a non-spoken language that happens. David thought to himself, what a picture of corporate worship. We can look at each other, but yet we can disappear alone with our maker. David said those thoughts spilled out and he wrote the song.

Click here to hear David share how he wrote the song:
www.theheartofworship.org/stories/Story-234-OnlyYou-Crowder.mp3

Click here to worship along with David Crowder
www.youtube.com/watch?v=sPs-2hn5ZOg