BLENDED 9:30am
“All Hail the Power of Jesus Name”
Some years ago, missionary E. P. Scott went to India. He set out to visit a remote mountain tribe which had never heard the name of Christ. As he neared their land, he was suddenly surrounded by a savage band of warriors, all pointing their spears straight at his heart. Expecting a quick death, the missionary pulled out his violin and began playing and singing in their native language the hymn "All hail the power of Jesus' name." He reached the stanza that reads:
Let every tribe and every tongueOn this terrestrial ball To him all majesty ascribe And crown him Lord of all...
The natives lowered their weapons and some were in tears. E. P. Scott spent the rest of his life ministering to these primitive people.
The hymn which so effectively moved this Indian tribe is often referred to as the "National Anthem of Christendom" and has been translated into almost every language where there are Christians. The author of the hymn, Edward Perronet was the descendent of a French Huguenot family which fled first to Switzerland and then to England to escape religious persecution. Perronet was a pastor who worked closely with John and Charles Wesley for many years in England's eighteenth- century revival.
At that time, Methodists were savagely persecuted. According to John Wesley's diary, Edward did not escape his share of abuse either. "Edward Perronet was thrown down and rolled in mud and mire" at Bolton, he wrote.
Edward was uneasy about preaching in front of John Wesley. Wesley urged him to do so several times. Finally, Wesley forced the issue. He announced that Brother Perronet would speak the following week. A week later, witty Edward mounted the pulpit and declared he would deliver the greatest sermon ever preached. He then read Christ's "Sermon on the Mount" and sat down!
Click here to hear an organ arrangement of the song:
www.youtube.com/watch?v=d54CqTpLW9E
Click here to sing along with Avalon:
www.youtube.com/watch?v=ucF_C7rYe58
"Blessed Be Your Name"
This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this
"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"
Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3
Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI
Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=
"Come Thou Fount"
Robert Robinson, following the tradition of ministers of the time, wrote "Come, Thou Fount of Every Blessing" as a hymn-poem for the conclusion of his sermon for Whitsunday, 1758. He was 23 years old at the time. It was published the following year in A Collection of Hymns used by the Church of Christ in Angel Alley, Bishopsgate (1759). There has been some speculation that it was written by the Countess of Huntingdon, but it is generally agreed to be the work of Robinson.
Originally "Come, Thou Fount of Every Blessing" had four stanzas. The fourth stanza was omitted by Martin Madan in Psalms and Hymns, 1860 and has not been used since. The statement in stanza two, "Here I raise my Ebenezer" refers to I Samuel 7:12, "Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, "Thus far the LORD has helped us." Ebenezer is the Hebrew for "Stone of Help." Israel had suffered defeat because of its sin. But the people had repented of their sin, God had helped them and they were victorious. Samuel placed the stone to remind Israel that God had them, their victory was because of Him.
In stanza three, Robinson speaks of being "prone to wonder, prone to leave the God I love". This seems to be a forecast of his later life, when he lapsed into sin, unstableness and involvement with Unitarianism. There is a well-known story of Robinson, riding a stagecoach with a lady who was deeply engrossed in a hymnbook. Seeking to encourage him, she asked him what he thought of the hymn she was humming. Robinson burst into tears and said, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."
Click here to watch and sing along with the Gateway church version
www.youtube.com/watch?v=1BFNvhbuNg4&mode=related&search=
If you like more of a traditional arrangement check out this choir arrangement here:
www.youtube.com/watch?v=mUhU0HgTq94&mode=related&search=
“Be Thou My Vision”
The text (Rop tú mo baile) is often attributed to Dallan Forgaill in the 8th century; in any case, this text had been a part of Irish monastic tradition for centuries before the hymn itself was written. It was translated from Old Irish into English by Mary E. Byrne in “Eriú," Journal of the School of Irish Learning, in 1905. The English text was first versified by Eleanor H. Hull in 1912, and this version of the lyrics is the most common. However, slight variations of these lyrics are sometimes seen. The first verse of Hull's version follows:
Be Thou my Vision, O Lord of my heart;
Naught be all else to me, save that Thou art
Thou my best Thought, by day or by night,
Waking or sleeping, Thy presence my light.
Thus, the English translation of the hymn itself is fairly recent and the Elizabethan vocabulary and structure is somewhat an anachronism. Be Thou My Vision has become the quintessential Irish hymn in English-speaking churches and is often sung around St. Patrick's Day. Despite its traditional nature and the seemingly archaic quality of the text, Be Thou My Vision has become a popular song performed by Contemporary Christian musicians, such as Rebecca St. James and Ginny Owens.
Click here to read about the origin of the hymn:
http://en.wikipedia.org/wiki/Be_Thou_My_Vision
Click here to listen to Rebecca St. James version
www.youtube.com/watch?v=5XZ3ja-quhA
CONTEMPORARY 11:00Am
"Blessed Be Your Name"
This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"
Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3
Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI
Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=
"Not To Us"
One of the premier songwriters of today, Chris Tomlin is shaping the language of worship for generations present and future. And yet his gifts are rooted in one central truth, that God is the center of everything.Even as a small town Texan boy pounding out new tunes with his rag-tag garage band, Chris Tomlin had been blessed with a passion for purpose. He wanted to be more than just another guy with a song. As he grew, he became even more aware of the fact that everything-what we do, who we are-exists only for God's glory. Tomlin's sophomore studio project, NOT TO US, is an organic, edgy pop blend of his most compelling lyrics to date, the longest and most rewarding mile in his passionate pursuit of real life. NOT TO US is not just another worship album; it's a soundtrack for all of life. "God is a mystery beyond our comprehension," says Tomlin, whose most recent work includes WoW Worship and Passion: Our Love is Loud. "We can't figure God out. He won't be boxed in. He's bigger than all our questions and bigger than our answers. And when our lives become aligned with Him, we see life in a different light, hearts are restored and people are healed."
Lyrics:
the cross before me the world behind
no turning backraise the banner highi
t's not for me it's all for YOUlet the heavens shake and split the sky
let the people clap their hands and cry
it's not for us it's all for YOU
not to us but to YOUR name be the glory
not to us but to YOUR name be the glory
Click here to listen to Chris share more about how he wrote the song:
www.youtube.com/watch?v=4zt9K5rLHVk
Click here to listen to the song:
www.youtube.com/watch?v=WFlwKpQmmFQ
“How Great Thou Art”
The history of the hymn How Great Thou Art begins with Mr. Carl Gustaf Boberg (1859-1940). He was a Swedish pastor, editor, and member of the Swedish parliament. Mr. Boberg was enjoying a nice walk when a thunderstorm suddenly appeared out of no where. A severe wind began to blow. After the storm was over, Mr. Boberg looked out over the clear bay. He then heard a church bell in the distance. And the words to How Great Thou Art begin to form in his heart -- O Lord, my God, When I in awesome wonder, consider all the worlds Thy hands hath made. . . Can you imagine what Boberg felt as he formed these words? There was such calmness after the fierce storm he could only utter those words of peace. This poem, titled O Store Gud (O Great God) was published in 1891 in Witness of the Truth, the weekly newspaper that Boberg edited. It was later translated in German. In 1927, it was published in a Russian version of the German text.
How Great Thou Art was sung by George Beverly Shea at the London Crusade of the Billy Graham evangelistic team in 1954. He later sang this song over 100 times during a revival in New York at a Billy Graham Crusade. This caused the hymn to receive new attention in Sweden and America and be published in several songbooks. Today millions across the world continue to sing this beautiful song. Giving God all praise, glory, and honor for who He is -- the Creator of this universe.
Click here to see the different arrangements available from Elvis Presley, Alan Jackson, The Grand Ole Opera Sandy Patti, Crystal Lewis, & David Phelps.
www.youtube.com/results?search_query=how+great+thou+art+&search_type=
“Agnus Dei”
Michael Whitaker Smith has become one of the most enduringly popular artists on the Christian Contemporary Music front and is also finding considerable success as a mainstream artist. He was born in Kenova, West Virginia, the son of an oil refinery worker and a caterer. He became a devout Christian at age ten and spent his teens hanging around with a solid support group of fellow believers who frequently gathered to play and make music. After high school, that support group split up, and Smith turned to alcohol, drugs and wild times. He scraped through a couple semesters of college and began honing his songwriting skills. In 1978, a songwriting company expressed interest in his songwriting, and he moved to Nashville, where he played with local bands, including Rose. He was still heavily into drugs and continued using until October 1979, when he suffered a sort of emotional mental breakdown that culminated in recommitting to Christ. The next day he auditioned for a new CCM group, Higher Ground, as a keyboardist. While touring with them, Smith cleaned up his act. In 1981, he signed to Meadowgreen Music as a staff writer, where over the next few years he provided gospel hits for such artists as Sandi Patti, Kathy Troccoli, Bill Gaither and Amy Grant. He began touring as a keyboardist with Grant in 1982 and the following year, after releasing his first album, The Michael W. Smith Project, became her opening act. His debut album garnered him a Grammy nomination for Best Gospel Performance.Agnus Dei is a Latin term meaning Lamb of God, and was originally used to refer to Jesus Christ in his role of the perfect sacrificial offering that atones for the sins of humanity in Christian theology, harkening back to ancient Jewish Temple sacrifices.
Click here to worship along with Michael W. Smith and a fantastic boy’s choir:
www.youtube.com/watch?v=eTWFYRA2j74&feature=related
Click here to worship along with Third Day:
www.youtube.com/watch?v=mbKXJ1Jm_jg
Monday, May 18, 2009
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