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BLENDED 9:30AM
"O Come, O Come Emmanuel"
O come, O come, Emmanuel is a translation of the Christian Latin text ("Veni, veni, Emmanuel") by John Mason Neale in the mid-19th century. It is a metrical version of a collation of various Advent Antiphons (the acrostic O Antiphons), which now serves as a popular Advent and Christmas hymn. Its origins are unclear, it is thought that the antiphons are from at least the 8th Century, but "Veni, veni Emmanuel" may well be 12th Century in origin. The text is based on the biblical prophesy from Isaiah 7:14 that states that God will give Israel a sign that will be called Immanuel (Lit.: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.
Click here to listen to the carol:
www.youtube.com/watch?v=EBfPnUZh-Bc
Click here for Whitney Houstons' version:
www.youtube.com/watch?v=NactFcZeeUE&feature=related
Click here for a carol arrangement and dance: www.youtube.com/watch?v=CrJAilZYoR4&feature=related
"Come Thou Long Expected Jesus"
Charles Wesley wrote seventy-five hundred hymns (Encyclopedia Britannica) -- roughly a hymn every other day for fifty years. I find that amazing! It would be amazing if he had written one verse every other day, but most of his hymns have several verses. I can scarcely imagine how he managed to do anything else -- but he was a great preacher as well as a great writer of hymns.
The hymn, "Come, Thou Long-Expected Jesus," looks forward to Jesus' Second Coming. It begins, "Come, thou long expected Jesus, born to set thy people free." Wesley looked forward to the time when Jesus would come again to set us free from fear and sin.
Wesley knew what it meant for people not to be free. When he was about thirty years old, he traveled to America on a mission, where he saw slavery in its rawest form. He recorded in his journal that he had seen parents give their child a slave to torment. Wesley was so shaken by the evil of slavery that he nearly had a nervous breakdown. It wasn't long before he returned to England.
Some would criticize Wesley for not remaining in America to join the fight against slavery, but Wesley's weapons were his sermons and his hymns. For the next several decades, his sermons and hymns lent their power to the efforts to make people free -- free from slavery -- free from fear -- free from sin. He was blessed to live long enough to see England put an end to slavery.
Click here for a piano arrangement:
www.youtube.com/watch?v=sg8OJf40LJE
Click here for another arrangement:
www.youtube.com/watch?v=iUbCbT4Yuog
"O Sing a Song of Bethlehem"
The lyrics were written by Louis F. Benson and the music was arranged by Ralph Vaughan Williams. This hymn chronicles the life of Christ.
Click here for an organ arrangement:
www.youtube.com/watch?v=U5SNqYgrTZs
"O Come All Ye Faithful"
Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.
Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles
Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4
Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related
Click here for the various recordings of this Carol:
www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f
CONTEMPORARY 11:00AM
"Blessed Be Your Name"
This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this "So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"
Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3
Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI
Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=
"O Come All Ye Faithful"
Also known in Latin as "Adeste Fidelis", this Christmas carol is credited to an English hymnist named John Francis Wade (1711-1786). Written originally in Latin, 'O Come All Ye Faithful', it was penned as a hymn by an Englishman called John Wade. In Latin, it is known as 'Adeste Fideles'. Another Englishman called John Reading composed its music in early 1700s, which was first published in 'Cantus Diversi' in 1751. Rev. Frederick Oakley translated it to English in 1841.
Click here to read more about the history of the song:
http://en.wikipedia.org/wiki/Adeste_Fideles
Click here to listen to Bianca Ryan sing the song:
www.youtube.com/watch?v=7I8XAf4Rwa4
Click here to hear a traditional setting:
www.youtube.com/watch?v=_ZKp4npV47Q&feature=related
Click here for the various recordings of this Carol:
www.youtube.com/results?search_query=o+come+all+ye+faithful&search_type=&aq=f
"Beautiful"
This song was written by Phil Wickham. In a world where swagger usually triumphs over substance, it’s refreshing when a young singer/songwriter arrives on the scene with something to say. With the multi-faceted sound of a much older soul and shimmering melodies that match the intensity of his heartfelt lyrics, 21-year-old Phil Wickham’s self-titled debut can’t help but stand out in a crowd of cookie-cutter pop and angst-fueled rock. And it’s his personal journey of faith expressed in the songs that really makes the difference.Even though singer/songwriter Phil Wickham grew up in a devout Christian home, there came a point early in his life when he knew his faith needed to become his own. He no longer wanted to coast on his parents’ coattails or go to church simply because that’s what he was supposed to do. He wanted something real, that personal friendship with Jesus. And that crucial realization, combined with moving to a new city while he was in junior high, paved the way for Phil to pick up a guitar and start writing songs about his growing faith.
Click here to worship along with Phil:
www.youtube.com/watch?v=Zg4cYdP1ngw
“Here I Am to Worship”
If songs are like children to their writers, then 25 year-old Englishman Tim Hughes carried "Here I Am To Worship" to full term, letting the reverent tune take perfect shape over a nine-month period. Back in 1999 while still in college, he first sat down to craft a musical response to his reading of Philippians 2:5, which says, "Make your own attitude that of Christ Jesus." And from the start, he had the humility part mastered. "I was playing around with my guitar when the verse just came out," he modestly recalls. "However, I couldn't get a chorus that I was happy with. The original one was embarrassingly bad!" Thankfully, Tim recorded the verse into his Dictaphone, and months later during a quiet creative time, he patched it together with another strong melody idea and brought "Here I Am To Worship" to fruition. "I'd been reading about the cross and thinking through Jesus' amazing sacrifice," Tim says of the lyrical theme. "Sometimes when God meets with us we don't quite know how to respond properly. It's often too much for us to take in. Hopefully in a small way the chorus captures that: 'Here I am to worship. Here I am to bow down. Here I am to say that you're my God. You're altogether lovely, worthy, wonderful.'" Although the song had been completed, the writer was still not convinced of its potential. Leading worship at his Soul Survivor home church one day, Tim sang "Here I Am To Worship" for his fellow members and was duly advised by his pastor Mike Pilavachi to start using it more often. Since then, Hughes - who built his own chops leading Delirious and Matt Redman favorites - has seen the song take on a life of its own. It must be a God thing.... People have seemed to really connect with it, and we've had some special times in worship using the song," he admits. "I remember one time at the end of a Worship Together conference in San Diego when we'd been performing the song. The band stopped, and then the congregation just kept singing the chorus for about 15 minutes."
Click here to listen to the story behind the song by Tim Hughes.
www.theheartofworship.org/stories/Story-196-HereIAmtoWorship-Hughes.mp3
Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Q_kAjok4-Uk
Click here to read more about the composer Tim Hughes
www.crosswalk.com/spirituallife/worship/1227531/
THIRD SERVICE 6PM
“How can I keep from Singing”
There is an endless song echoes in my soul
I hear the music ring and though the storms may come
I am holding on to the rock I cling
How can I keep from singing Your praise
How can I ever say enoughHow amazing is Your love
How can I keep from shouting Your name
I know I am loved by the King
And it makes my heart want to sing
Chris Tomlin joined Ed Cash and Matt Redman to write this song. The song is on the album "See the Morning". This song anchors the theme of hope found on the album. "How Can I Keep From Singing," is a rendition of the 1860 hymn by Robert Lowry. "How Can I Keep From Singing?" is listed in some hymnals by the opening line "My Life Flows On". The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn. Chris reworked the original text and crafted a song that could be sung to God during the difficult times.
Click here to listen to Chris share how he wrote the song:
www.youtube.com/watch?v=b6lTZySpbpo
Click here to worship along with Chris:
www.youtube.com/watch?v=tQI5wxtH6OY&feature=related
"Blessed Be Your Name"
This powerful worship song by Matt Redman has a phrase that is based on Job 13:15. The Message translates it like this
"So hold your tongue while I have my say, then I'll take whatever I have coming to me.Why do I go out on a limb like this and take my life in my hands?Because even if he killed me, I'd keep on hoping. I'd defend my innocence to the very end. Just wait, this is going to work out for the best—my salvation!"
Click here to hear the story behind the song by Matt Redman.
www.theheartofworship.org/stories/Story-257-BlessedBeYourName-Redman.mp3
Click here to hear the song
www.youtube.com/watch?v=F6xo5KogzaI
Click here to worship along with Tree63
www.youtube.com/watch?v=3mZH9T9XNVU&mode=related&search=
"Facedown"
Matt Redman shared the following on the writing of the song:
When you face up to God you'll find yourself face down. The real point it's not God that does the shrinking it's us that starts to shrink. Facedown is our response to an awesome God.
Welcomed in to the courts of the King
I've been ushered in to Your presence
Lord, I stand on Your merciful ground
Yet with every step tread with reverence
And I'll fall facedownAs Your glory shines around
Yes, I'll fall facedownAs Your glory shines around
Who is there in the heavens like You?
And upon the earth, who's Your equal?
You are far above, You're the highest of heights
We are bowing down to exalt You
So let Your glory shine around
Let Your glory shine around
King of glory, here be found
King of glory
Click here to hear the story behind the song:
www.theheartofworship.org/stories/Story-278-Facedown-Redman.mp3
Click here to worship along with Matt Redman:
www.youtube.com/watch?v=mpaOWcCJn74
"O Come, O Come Emmanuel"
O come, O come, Emmanuel is a translation of the Christian Latin text ("Veni, veni, Emmanuel") by John Mason Neale in the mid-19th century. It is a metrical version of a collation of various Advent Antiphons (the acrostic O Antiphons), which now serves as a popular Advent and Christmas hymn. Its origins are unclear, it is thought that the antiphons are from at least the 8th Century, but "Veni, veni Emmanuel" may well be 12th Century in origin. The text is based on the biblical prophesy from Isaiah 7:14 that states that God will give Israel a sign that will be called Immanuel (Lit.: God with us). Matthew 1:23 states fulfillment of this prophecy in the birth of Jesus of Nazareth.
Click here to listen to the carol:
www.youtube.com/watch?v=EBfPnUZh-Bc
Click here for Whitney Houstons' version:
www.youtube.com/watch?v=NactFcZeeUE&feature=related
Click here for a carol arrangement and dance: www.youtube.com/watch?v=CrJAilZYoR4&feature=related
"Still"
… the challenge of the Church is to keep worship accessible to all people - Rueben Morgan
Rueben wrote the song "Still" as a reminder to "be still and know that I am God". Reuben has a passion to see the church and the world inspired to worship God. A worship pastor on the Hillsong church leadership team, Reuben works alongside Darlene Zschech to create an atmosphere of praise and worship that draws people into God’s presence and helps soften hearts to Jesus’ salvation message. Reuben is an integral leader of the Hillsong church worship team, teaching often at the Worship and Creative Arts program. Leading worship on a weekly basis at
Hillsong church, Reuben was the youth Music Pastor who helped to establish ‘Hillsong United’- currently one of the most sought after youth praise and worship bands having appeared at Creation, Edmonton and Soul Survivor in 2003. He was one of the major producers on four of the United albums including Everyday, Best Friend, King Of Majesty and To The Ends Of The Earth. With a congregation of over 15,000 people, Hillsong Church in Sydney, Australia is potentially the nations largest local church with a TV program that reaches over 125 different
countries across the globe. Hillsong has been instrumental in
Click here to worship along with the Hillsong version
www.youtube.com/watch?v=Qk8horRi3_E
Click here for another arrangement:
www.youtube.com/watch?v=FPtZRnQyzSM
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