Behind the Praise - Sunday January 3, 2009

BLENDED 9:30AM

"Come Thou Fount"

Robert Robinson, following the tradition of ministers of the time, wrote "Come, Thou Fount of Every Blessing" as a hymn-poem for the conclusion of his sermon for Whitsunday, 1758. He was 23 years old at the time. It was published the following year in A Collection of Hymns used by the Church of Christ in Angel Alley, Bishopsgate (1759). There has been some speculation that it was written by the Countess of Huntingdon, but it is generally agreed to be the work of Robinson.

Originally "Come, Thou Fount of Every Blessing" had four stanzas. The fourth stanza was omitted by Martin Madan in Psalms and Hymns, 1860 and has not been used since. The statement in stanza two, "Here I raise my Ebenezer" refers to I Samuel 7:12, "Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, "Thus far the LORD has helped us." Ebenezer is the Hebrew for "Stone of Help." Israel had suffered defeat because of its sin. But the people had repented of their sin, God had helped them and they were victorious. Samuel placed the stone to remind Israel that God had them, their victory was because of Him.

In stanza three, Robinson speaks of being "prone to wonder, prone to leave the God I love". This seems to be a forecast of his later life, when he lapsed into sin, unstableness and involvement with Unitarianism. There is a well-known story of Robinson, riding a stagecoach with a lady who was deeply engrossed in a hymnbook. Seeking to encourage him, she asked him what he thought of the hymn she was humming. Robinson burst into tears and said, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."

If you like more of a traditional arrangement check out this choir arrangement here:
www.youtube.com/watch?v=mUhU0HgTq94&mode=related&search=

“Mighty is the Power of the Cross”

This song was written by Chris Tomlin & Jesse Reeves. Chris was stirred by the phrase "What can take a dying man and bring him back to life again". Chris and Jesse were amazed by the mystery of the cross, as it is foolishness to those who are perishing.

What can take a dying man And raise him up to life again?
What can heal the wounded soul? What can make us white as snow?
What can fill the emptiness?What can mend our brokenness?
Brokenness?
Mighty, awesome, wonderful Is the Holy cross.
Where the Lamb lay down His lifeTo lift us from the fall.
Mighty is the power of the cross.

Click here to hear more about how this song on the cross was written:
www.youtube.com/watch?v=_gDVwQ_Oyhc

Click here for a moving visual portrayal of the cross:
www.youtube.com/watch?v=MkO-D0fatRQ&feature=related

"How Great is Our God"

This worship song was written by Chris Tomlin. Chris said he almost apologized to the Lord for writing such a simple song, but felt that the English language could only go so far in describing the greatness of our God. After writing the song he felt in his spirit that he had written a song that would be embraced by the church around the world.
Chris received his first guitar from his father, Connie, at the age of eleven after contracting a case of mono. Then, Tomlin wrote his first worship song at age fourteen. He entered college planning to study medicine, but he stated that he felt God's calling to something else and did not pursue that career.In the mid-1990's Tomlin spent time leading worship at the Dawson McAllister Youth Conferences, as well as at various camps around the state of Texas.Following college, at Texas A&M University Tomlin continued to play and write songs, and in 1997, Louie Giglio asked if he would be interested in working with the Passion Conferences. Tomlin agreed, and he has played a key role ever since. His first nationally released solo project, entitled The Noise We Make, was released in 2001, which saw the emergence of songs "Forever" (his most famous song other than "How Great Is Our God"), "Be Glorified", and "Kindness", all of which made the top 200 in the CCLI 2005 top 500 worship songs.
According to Christian Copyright Licensing International's list of the top 25 worship songs in the United States as of August 2007, Tomlin held 5 spots with songs he has either written or co-written with other songwriters: "How Great Is Our God" (#1), "Forever" (#5), "Holy Is the Lord" (#7), "We Fall Down" (#12),and "Indescribable" (#22).

Click here to listen to the story behind the song:
www.theheartofworship.org/stories/Story-302-HowGreatisOurGod-Tomlin.mp3

Click here to listen to Chris share about how the song came about on newsong café: www.youtube.com/watch?v=JpfKli_4LQ0&mode=related&search=

Click here to worship along with Chris:
www.youtube.com/watch?v=jjxPG_mRHDs&feature=related

Click here to learn more about Chris’ ministry:
http://en.wikipedia.org/wiki/Chris_Tomlin#Biography

Click here to visit Chris’ website:
http://www.christomlin.com/

Click here to visit Chris’ myspace:
www.myspace.com/christomlin

“Jesus Paid it All”

The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" (Jesus, Paid it All) was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?" The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here for a solo arrangement of the song:
www.youtube.com/watch?v=fo4WcozMTlU

Click here for an instrumental arrangement:
www.youtube.com/watch?v=dZDc-1AV6SA

Click here for a choir arrangement:
www.youtube.com/watch?v=TUMLHsMZ5Gk

Go here for a solo arrangement by Ben Forde, scroll down on the rhapsody player to song # 32
http://play.rhapsody.com/playlistcentral/playlistdetail?playlistId=ply.11990274&didAutoplayBounce=true

CONTEMPORARY 11:00AM

“For all You’ve Done”

This song is by Reuben Morgan.

Reuben Morgan on men worshipping:People are more passionate than ever, Morgan observes. I think God's stirring the church. For the most part, churches are singing the same songs no matter where you go, which is pretty incredible. Even in countries that don't speak English, they're still singing the same songs. As a strong male leader, Morgan is particularly interested in seeing the men of the church take more risks in their outward expressions of faith. I think a really good model for men and worship is David, Morgan says. Men can be a little more reserved when it comes to expressing their feelings and really being passionate. But I think there's health in a guy really learning how to do that in the right way. I think the Bible is clear on what are appropriate ways to express our love for God passionately. My personal feeling is that lifting our hands, shouting and all of that is a way of connecting with God. They're expressions, and they can be healthy in our growth.

Click here to read more about Reuben Morgan
http://en.wikipedia.org/wiki/Reuben_Morgan

My Savior, Redeemer Lifted me from the miry clay
Almighty forever I will never be the same
‘Cause You came near From the everlasting
To the world we live The Father’s only Son You lived and You died
You rose again on high You opened the way
For the world to live again Hallelujah
For all You’ve done Hallelujah For all You’ve done

Click here to worship along with the Lakewood Church in Houston:
www.youtube.com/watch?v=60cZ5SmlXMc&feature=related

“You never let Go"

This powerful new song by Matt Redman has been described as follows from Christianity Today:"You Never Let Go" begins with a quiet piano and moody atmospherics that mirror far-from-ebullient lyrics based on Psalm 23: Even though I walk through the valley of the shadow of death/You're perfect love is casting out fear/And even when I'm caught in the middle of the storms of this life/I won't turn back, I know you are near…The chorus is a loud, exultant proclamation that God will never let go of us and in it Redman uses the minor-key construction to subtly (and maturely) declare that God's love is still valid, even in the midst of pain.

Click here to listen watch the video
www.youtube.com/watch?v=SIAdgLR1ZGw

Click here to read more about Matt Redman on his myspace - you can play the song directly from his stand-alone player and can buy the song from his website
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=120781688

Even though I walk through the valley of the shadow of death
Your perfect love is casting out fear
And even when I’m caught in the middle of the storms of this life
I won’t turn back I know You are near
And I will fear no evil For my God is with me
And if my God is with meWhom then shall I fear?
Whom then shall I fear?Oh no, You never let go
Through the calm and through the storm
Oh no, You never let go In every high and every low
Oh no, You never let go Lord, You never let go of me

“Remedy"

This song is by David Crowder. As you might guess from the title and the medical cross on the cover, Remedy focuses on God's constant presence as the answer to our hurts while challenging listeners to be the balm needed in the lives of others. Indeed, the Texas band's 2007club tour is part worship experience, part rallying cry to inspire change in local communities. At the same time, one could view this album as the band's personal healing in response to the tragic death of their friend and pastor Kyle Lake shortly after the release of A Collision.

Here is Davids' answer to what is worship? This is actually a really difficult question because language is such a fluid thing. A word like “worship” changes and evolves and provokes different meanings for different community sets. Over the last few decades, at least within Christian culture, the word has become synonymous with “music within a congregational context.” You say the word “worship” and a person immediately pictures in his head people singing in a room with lyrics projected on a screen. Words and the objects they signify are very difficult to separate. I’ll show you what I mean. Okay, in your head, say the word, “eight”—and try to not picture the number eight. It’s nearly impossible. So, once a word begins to signify something, it is hard to separate it from the thing it is signifying. For me, I tend to not trust moments of congregational singing as an indicator of where our true affections lie. It is a very simple thing to get caught up in the beauty of music and song erupting in a room full of people. So I rarely trust that moment. I think a better indicator of worship may be the way we interact with the world around us.

Click here to watch the David Crowder band on tour:
www.youtube.com/profile?user=davidcrowderband

Click here to learn more about The David Crowder band:
www.davidcrowderband.com/

Click here to visit Davids' myspace:
www.myspace.com/davidcrowderband

Click here to worship along with a powerful video:
www.youtube.com/watch?v=O3UWiJCZAz8

Click here for a live performance:
www.youtube.com/watch?v=zGIth9d_LXE&feature=related

THIRD 6PM

"Come Thou Fount"

Robert Robinson, following the tradition of ministers of the time, wrote "Come, Thou Fount of Every Blessing" as a hymn-poem for the conclusion of his sermon for Whitsunday, 1758. He was 23 years old at the time. It was published the following year in A Collection of Hymns used by the Church of Christ in Angel Alley, Bishopsgate (1759). There has been some speculation that it was written by the Countess of Huntingdon, but it is generally agreed to be the work of Robinson.

Originally "Come, Thou Fount of Every Blessing" had four stanzas. The fourth stanza was omitted by Martin Madan in Psalms and Hymns, 1860 and has not been used since. The statement in stanza two, "Here I raise my Ebenezer" refers to I Samuel 7:12, "Then Samuel took a stone and set it up between Mizpah and Shen, and called its name Ebenezer, saying, "Thus far the LORD has helped us." Ebenezer is the Hebrew for "Stone of Help." Israel had suffered defeat because of its sin. But the people had repented of their sin, God had helped them and they were victorious. Samuel placed the stone to remind Israel that God had them, their victory was because of Him.
In stanza three, Robinson speaks of being "prone to wonder, prone to leave the God I love". This seems to be a forecast of his later life, when he lapsed into sin, unstableness and involvement with Unitarianism. There is a well-known story of Robinson, riding a stagecoach with a lady who was deeply engrossed in a hymnbook. Seeking to encourage him, she asked him what he thought of the hymn she was humming. Robinson burst into tears and said, "Madam, I am the poor unhappy man who wrote that hymn many years ago, and I would give a thousand worlds, if I had them, to enjoy the feelings I had then."

If you like more of a traditional arrangement check out this choir arrangement here:
www.youtube.com/watch?v=mUhU0HgTq94&mode=related&search=

"Matchless"

Shust grew up near Pittsburgh, Pennsylvania. He studied music theory at Toccoa Falls College in Georgia, where he studied Wolfgang Amadeus Mozart and Johann Sebastian Bach. He also became influenced by U2 and Bob Marley. He began performing at churches and coffeehouses while at college. Shust began leading worship at Perimeter Church, Duluth, Georgia in 2000 and recorded his album, Anything Worth Saying in 2004 with producer Dan Hannon who delivered the album along with a stack of others along to Brash Music for consideration. Brash Music signed Shust shortly thereafter.

Son of a Man, Great I am, King of heaven, son of god, you hold the measure of my days Holy Lamb, spotless Lamb, You are worthy, I am not Before Your throne I stand amazed Every tongue confess and every knee will bow To Jesus Christ the Lord forever, hear our praises now Your name is matchless, Your name is priceless Your name means more than I could know You're so far above me, the way that you love me goes further than any love could go Wonderful Counselor, Root of David, morning star you are the way, the truth, the life lion of the tribe of judah, Mighty god is who you are the only perfect sacrifice In your name you took the blind man and you gave him back his sight In your name you took the dead man and you brought him back to life In your name you took this prisoner and you opened up the doors And I will sing before your throne forever more

Click here to learn more about Aaron:
www.aaronshust.com/index.html

Click here to worship along with Aaron Shust:
www.youtube.com/watch?v=XW9NJiSXHmE

“The Wonderful Cross”

ISAAC WATTS & CHRIS TOMLINThe original song was written by Isaac Watts, the new chorus was written by Chris Tomlin. Isaac was born in 1674 and Chris was born in 1972. Even though they are separated by three hundred years, there is no separation between their passion and commitment to leading God's people in worship. WOW! The past meets the present.

Click here to hear Chris Tomlin talk about how this new arrangement came about. www.theheartofworship.org/stories/Story-306-TheWonderfulCross-Tomlin.mp3

Click here to learn more about Chris Tomlin
www.christomlin.com/

You can listen to more of Chris Tomlins' music on his myspace website.
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=94631118

Isaac Watts (July 17, 1674 – November 25, 1748) is recognized as the "Father of English Hymnody", as he was the first prolific and popular English hymnwriter, credited with some 750 hymns. Many of his hymns remain in active use today and have been translated into many languages.

Click here to read more about Isaac Watts.
http://en.wikipedia.org/wiki/Isaac_Watts

This is an interesting read on Isaac Watts.
www.cyberhymnal.org/bio/w/a/t/watts_i.htm

Isaac is best known for his emphasizing the role of music in worship, where the congregation actually began to sing with the choir. Watts became the congregation's pastor in 1702. Just five feet tall, he was an unprepossessing figure in the pulpit. Health problems continued to plague him, and an assistant had to be appointed to fill in for him after a severe bout with illness in 1703. Despite these problems, Watts was a powerful preacher. The Mark Lane congregation outgrew its quarters and twice had to move to larger facilities, and Watts' sermons began to be collected and printed. Part of his success was due to his emphasis on the role of music in worship. A minister, he felt, should not only write sermons but should seek to involve his congregation in worship through music.

“Once Again”

Matt Redman is a British Christian worship leader and songwriter, and was one of the main worship leaders associated with the Soul Survivor organization. He is now working with a church plant in Brighton, England. His latest Church was opened late in 2006 at St. Pauls Catholic College in Burgess Hill. He also works with Passion Conferences and an artist for Survivor Records (Six Steps Records in the US). Contemporary Christian music (CCM) artists such as Michael W. Smith, Rebecca St. James, and Tree63 have covered a number of Redman's songs. Some of his most popular songs include "Heart Of Worship", "Let Everything That Has Breath", "Once Again", and the 2005 Dove Award-winning "Blessed Be Your Name" (Worship Song of the Year). Redman was formerly the worship leader for Soul Survivor church in Watford, and led worship at the annual Soul Survivor youth conferences. According to founder Mike Pilavachi, the Soul Survivor festivals (which began in 1993) grew out of worship sessions with him and the then 15-year-old Redman. He has authored and edited multiple books on Christian worship, including The Unquenchable Worshipper and the book Facedown which accompanied the album.
Click here to learn more about Matt Redman:
www.mattredman.com/

Click here to listen to the song:
www.last.fm/music/Matt+Redman/_/Once+Again

"All Things New"

Blue skies that take me back to being a child
Trees with leaves that turn the colors
I love A heart that's beating to Your melodies ringing
And I am a miracle 'cause heaven is a part of me
And You are the song that I'm singing

I was created to love You
I was created to need You
I was created to know You
And I am a miracle 'cause heaven is a part of me
And You are the air that I'm breathin'

Click here to listen online:
www.ilike.com/artist/Watermark/track/All+Things+New