Monday, August 10, 2009

Behind the Praise - Sunday August 16, 2009


BLENDED SERVICE 9:30AM

"Hungry"

This song was written by Kathryn Scott while living in Glasgow. Kathryn found her self desperate for the Lord and this song became her personal cry for revival.

Click here to listen to Kathryn share her story:
http://www.theheartofworship.org/stories.shtml

Hungry I come to You For I know You satisfy
I am empty but I know Your love does not run dry
So I wait for You So I wait for You I'm falling on my knees
Offering all of me Jesus You're all This heart is living for
Broken I run to You For Your arms are open wide
I am weary but I know Your touch Restores my life


Click here for Kathryns' myspace:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=95452289

Here is Kathryns' bio:

Kathryn (Rainey) Scott was born into a very musical family with a passion for ministry. During her early childhood, her father Roy and singer/songwriter mom Mildred worked in a recording studio when the family wasn’t travelling across the UK with an evangelism group. It was during those early years that Kathryn made a decision to follow Jesus. And, by age 9, she had begun writing songs with the encouragement of her mom. At 19, she entered Elim Bible College (now Regent’s Theological College) in England, where she studied theology and met her future husband, Alan. The couple married after college and together began to seek God’s plan for their lives, believing they were called to plant a church but not sure of how to go about it. They began the journey by becoming assistant pastors at Alan’s home church, South West Glasgow Vineyard. At that time, Kathryn met award-winning artist and songwriter Brian Doerksen and began working with him to hone her own skills as a worship leader and songwriter. Soon after, she penned the songs Child of God and Hungry, which were eventually recorded by Vineyard Music. Two years later, Alan and Kathryn departed for Northern Ireland to plant a church of their own. A year later, Causeway Coast Vineyard began meeting in a local pub when the couple could find no other available venues. Within a few years, the church grew to a congregation of over 400 adults and 100 children. And, as the church grew, so did Kathryn’s reputation as a songwriter. She signed with Integrity Music and released her critically-acclaimed solo debut Satisfy in 2003. The CD included the popular songs At The Foot Of The Cross, Search Me, Know Me and the evergreen Hungry among others. She also continued writing with Doerksen and artist Paul Baloche, contributing songs and guest vocals to their recent Integrity CDs. In mid-December of ‘07, Kathryn will release I Belong, a studio recording produced by Brent Milligan. The CD features co-writes with Baloche and Doerksen and with her first writing partner and coach, her mom. Kathryn and Alan are busier than ever at Causeway and as parents to their young daughters Sophie and Emily Joy.

Click here to worship along with Kathryn Scott:
www.youtube.com/watch?v=6gPbAz4H6ZE
"Living for Jesus"

Carl H. Low­den wrote this song in 1915. Low­den orig­in­al­ly wrote the mu­sic—to dif­fe­rent words—for a Child­ren’s Day ser­vice. Two years lat­er, he came across the mu­sic in his files, and asked Thomas Chis­holm if he could write lyr­ics for it. The re­sult has been trans­lat­ed into more than 15 lan­guag­es.
Click here to read more about the song:
Click here for an arrangement of the song:
“Breathe”

A friend's suicide had left her reeling, but out of Marie Barnett's desperate need for God came a worship classic sung around the world. Marie Barnett didn't consider herself a worship songwriter, although she had led worship with her husband John for years and wrote her own compositions during her personal worship time. John was the writer, penning what Barnett terms "tons" of worship music through the years (including "Holy and Anointed One"). "He's the worship writer," she explains, adding "I never sat down and wrote thinking, This could be sung in a congregation. It was more between me and the Lord in my bedroom with the door locked."
But that all changed during a Sunday evening service at the Mission Viejo Vineyard in Southern California. The Barnetts were leading worship as they had done hundreds of times before, and words to what would become the worship song "Breathe" just spontaneously came out.
" We had been singing 'Isn't He' by John Wimber," Barnett recalls, "and my husband continued to play. I was so enthralled with Jesus at that moment, thinking I could never live, I could never even take a breath if I didn't have a word from Him every day. And so I heard those words-'this is the air I breathe, this is my daily bread'-and I started singing them."
Before she knew it, the congregation had joined her. Still, it wasn't as if Barnett left that night convinced she has a worship hit on her hands. There had been other spontaneous songs, but she soon realized "Breathe" was different. "People would come up to me at the grocery store and say, 'You know what we were singing on Sunday night? I've been singing it all week.'"
So they began to sing the song regularly in church and it continued to elicit a strong response, bringing many to tears. Barnett says even now she can hardly get through it. "I think the word 'desperate' digs deep into me," she says by way of explanation. "The longer I'm a Christian, the more desperate I am for God."
Not to mention Barnett was feeling particularly desperate around the time the words for "Breathe" came to her. A dance teacher by day, Barnett's boss of 10 years had recently taken his own life, leaving behind a note asking her to take over the dance studio. "He was very depressed and had just gone through a divorce and was on all kinds of weird medications and into New Age thinking," she recalls of the tragic incident. "He even came to church with me once right before he took his life and I was like, Well, what good did that do? In the end, the event left Barnett with questions for which there were no answers. And that desperation came out in her songwriting."
Shortly after being written, "Breathe" wound up on Vineyard's Touching the Father's Heart #25 and seemed to be on its way to finding a broader audience. But if there's one thing Barnett learned from watching her husband's songwriting career, it's that the timing isn't up to us.
"We recorded the song for Vineyard and then nothing happened," Barnett says. "Not that I thought anything about it because to me it was just a neat thing the Lord gave to our church." Five years later, worship leader Brian Doerksen was putting together Vineyard's Hungry and contacted Barnett about including "Breathe." Then came Michael W. Smith's version on his 2001 release, Worship.
Barnett was driving in her car when she first heard the track playing on the radio. "I just started bawling. I love that version because at the end when he's saying 'Cry out to Him' it's like 'Oh! People are worshipping Jesus! Yea!'"
Since writing "Breathe" Barnett regularly contributes songs to the worship time at Vineyard Community Church of Laguna Niguel, the California church plant where she and her husband lead worship today. And she continues to run the dance studio as her late boss wished. With more than 600 students and 20 classes to teach each week, Barnett says the business venture provides with her plenty of material for her songwriting. And to round out her schedule, she also teaches at worship conferences, going "wherever people invite me."

Click here to worship along with Michael W. Smith:
www.youtube.com/watch?v=Oad8ov10AjY

Click here for a moving video:
www.youtube.com/watch?v=hwLgyMzzh0M


"Fill My cup Lord"
Life was never to be a bed of roses for Richard Blanchard. A severe lung problem developed, and Blanchard was left with one-third of his lung capacity. But a diminished physical well-being did not stop young Blanchard. In 1953, he became the pastor of a church in Coral Gables, Florida, and one day, was asked by a young couple to perform their marriage ceremony. However, the couple was quite late for their counseling appointment. Blanchard told his secretary, I will wait for thirty minutes and I’m leaving. He then went to a nearby Sunday school room and sat down to play the piano for a while. He later said, When I was not in the mood to be used of God, God was in a mood to use me. In less than thirty-minutes, as he waited for the young couple, God gave him the inspiring song Fill My Cup, Lord. As Richard Blanchard looks back over his life, he declares even though God chose in his providence to impair my physical being, he has in so many other ways ‘Fill’d My Cup.’

Click here to listen to the song:
Click here to listen to the song:


CONTEMPORARY 11:00AM

"Here is our King"
This worship song was written by David Crowder in response the Tsunami on December 24, 2004. David and his wife were watching the images of devastation preparing to attend the Passion meeting in Nashville later that month. David was having trouble processing the level of devestation. He remembered telling his wife that 9-11 made more sense, as we are used to humanity doing something to each other. Historically we've done unkind things to each to each other and all we have to do is turn on the news. David knew how to process that devestation, but to be able to see such devestation unfold before his eyes was a new process for him. He struggeld with how to look at that and still say "God is Good". This song was David's response to God in the face of such a tragedy.From wherever spring arrives to heal the ground From wherever searching comes the look itself A trace of what we’re looking for So be quiet now and wait The ocean is growing the tide is coming in Here it is Here is our king, here is our love here is our God who’s come to bring us back to him He is the one, he is Jesus, Jesus


Click here to worship along with David Crowder:
Click here to listen to David share about how the song came about:


“Holy is the Lord”

Chris Tomlin wrote this song after meditating on Isaiah 6. He was intrigued by the passage where the angels called to one another. The phrase “Holy is the Lord and the earth is filled with his glory” kept ringing in his mind. He met up with Louie Giglio who had been meditating on the passage in Nehemiah where after Israel rebuilt the wall they built a wooden tower and opened the word of the lord. When this happened the people stood and lifted their hands then also bowed down. Louie was struck by the picture in his mind and wrote the following phrase in his journal:

“It’s rising up all around, it’s the anthem of the Lord’s renown”

Click here to listen to Chris & Louie Giglio talk about how the song came about:
www.youtube.com/watch?v=Nv6hSdbfo2E

Click here to worship and sing-along
www.youtube.com/watch?v=HSKN5PX_3a0&feature=related

Click here to worship along with Chris Tomlin
www.youtube.com/watch?v=3X4CwGGJQMI

"Jesus Paid it All"

The following is from Alex Nifong who wrote the additional chorus:

I have an old hymnal that I frequently play through sometimes during my private times alone with the Lord. I was playing through that song one day in Jan of 05 and I just started praying and singing out the phrase O praise the One who paid my debt and raised this life up from the dead. It was as simple as that. Just a prayer that came right out of my heart. This is a new arrangement of the old hymn, based on the recording from the Passion album "Everything glorious". It adds a new line "O praise the One who paid my debt and raised this life up from the dead".
Check out the composer of the tag on his website
www.alexnifong.com/

Here’s a story about the song:
The words were written by Elvina M. Hall and the music by John T. Grape on New Year’s night, 1886, some missionaries were holding open-air services in order to attract passers-by to a near-by mission, where meetings were to be held later. "All to Christ I owe" was sung, and after a gentleman had given a short address he hastened away to the mission. He soon heard footsteps close behind him and a young woman caught up with him and said: "I heard you addressing the open-air meeting just now; do you think, sir, that Jesus could save a sinner like me?"The gentleman replied that there was no doubt about that, if she was anxious to be saved. She told him that she was a servant girl, and had left her place that morning after a disagreement with her mistress. As she had been wandering about the streets in the dark, wondering where she was to spend the night, the sweet melodies of this hymn had attracted her, and she drew near and listened attentively. As the different verses were being sung, she felt that the words surely had something to do with her. Through the whole service she seemed to hear what met her oppressed soul’s need at that moment. God’s Spirit had showed her what a poor, sinful and wretched creature she was, and had led her to ask what she must do. On hearing her experience, the gentleman took her back to the mission and left her with the ladies in charge. The young, wayward woman was brought to Christ that night. A situation was secured for her in a minister’s family. There she became ill and had to be taken to a hospital. She rapidly failed and it became evident that she would not be long on earth. One day the gentleman whom she had met on New Year’s night was visiting her in the ward. After quoting a few suitable verses of Scripture, he repeated her favorite hymn, "All to Christ I owe"…and she seemed overwhelmed with the thought of coming to glory…Two hours afterward she passed away.

Click here to worship along
www.youtube.com/watch?v=onxhvivQYfI

Click here to worship along with a younger generation led by Kristian Stanfill:
www.youtube.com/watch?v=i-OOjfaBGnA&mode=related&search=

You can go here to Kristians' myspace and click on the song just to listen
www.myspace.com/kristianstanfill

WOW - here it is in Spanish
www.youtube.com/watch?v=zRRBtWP_buA

“Only You”

David Crowder wrote the song based upon a conversation he had with a friend. His friend was talking about how you can be eating dinner with a large group, but if your spouse is in the group you can catch her eye at the same time you are with other and there can be a moment when even in a crowd you are caught up together in that moment. There is a non-spoken language that happens. David thought to himself, what a picture of corporate worship. We can look at each other, but yet we can disappear alone with our maker. David said those thoughts spilled out and he wrote the song.

Click here to hear David share how he wrote the song:
www.theheartofworship.org/stories/Story-234-OnlyYou-Crowder.mp3

Click here to worship along with David Crowder
www.youtube.com/watch?v=sPs-2hn5ZOg

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